“The day after your departure I started a new painting at Le Cours-la-Reine, in the afternoon in a glow of sun, and another in the morning by the water below St. Paul's Church. These two canvases are fairly well advanced, but I still need one session in fine weather without too much mist to give them a little firmness. Until now I have not been able to find the effect I want, I have even been forced to change the effect a bit, which is always dangerous. I have also an effect of fog... Until now I have not been able to find the effect I want, I have even been forced to change the effect a bit, which is always dangerous. I have also an effect of fog, another, same effect, from my window, the same motif in the rain, several sketches in oils, done on the quays near the boats; the next day it was impossible to go on, everything was confused, the motifs no longer existed; one has to realize them in a single session.”

— Camille Pissarro

Quote in a letter from Rouen 11 October 1883, to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 42
1880's

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The day after your departure I started a new painting at Le Cours-la-Reine, in the afternoon in a glow of sun, and anot…" by Camille Pissarro?

Camille Pissarro 51

French painter 1830–1903

Related quotes

“I am hard at work, at least I work as much as the weather permits. - I began a work the motif of which is the river bank in the direction of St. Paul's Church. Looking towards Rouen I have before me all the houses on the quays lighted by the morning sun, in the background the stone bridge, to the left the island with its houses, factories, boats, launches, to the right a mass of pinnaces of all colors… Yesterday, not having the sun, I began another work on the same motif in grey weather, only I looked more to the right [603]. I must leave you for my motif. I have a room on the street. I shall start on a view of the street in fog for it has been foggy every morning until eleven o'clock—noon. It should be interesting, the square in the fog, the tramways, the goings and comings..”

Camille Pissarro (1830–1903) French painter

Quote in a letter, Rouen 11 October 1883, to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 40
1880's

“What should I do with your strong, manly, spirited sketches, full of variety and glow? How could I possibly join them on to the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour?”

Jane Austen (1775–1817) English novelist

Letter to J. Edward Austen (1816-12-16) [Letters of Jane Austen -- Brabourne Edition]
Letters

“How do I produce the effects which I obtain from the piano? … In answer I would say I produce them by listening, criticizing, judging—working over the point, until I get it as I want it. Then I can reproduce it at will, if I want to make just the same effect; but sometimes I want to change and try another.”

Wilhelm Backhaus (1884–1969) German pianist, Knight Commander of Merit

Quoted in Piano Mastery: Talks with Master Pianists and Teachers (1915) by Haeriette Brower

“I have always been delighted at the prospect of a new day, a fresh try, one more start, with perhaps a bit of magic waiting somewhere behind the morning.”

J.B. Priestley (1894–1984) English writer

“I have always been structured. What has changed is the proportions. Now it is eight hours of paperwork and one of painting. I go to the studio every day, but I don't paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things. Weeks go by, and I don't paint until finally I can't stand it any longer. I get fed up. I almost don't want to talk about it, because I don't want to become self-conscious about it, but perhaps I create these little crises as a kind of a secret strategy to push myself. It is a danger to wait around for an idea to occur to you. You have to find the idea.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

“To be honest, I was somewhat disappointed… It's had effects around the margins, of course, but they have mostly been minor. When I wrote it, I really thought the book would change the world. I know it sounds a little grand now, but at the time the sixties still existed for us. It looked as if real changes were possible, and I let myself believe that this would be one of them. All you have to do is walk around the corner to McDonald's to see how successful I have been.”

Peter Singer (1946) Australian philosopher

Quoted by Michael Specter on the impact of the book Animal Liberation, " The Dangerous Philosopher http://www.michaelspecter.com/1999/09/the-dangerous-philosopher/", The New Yorker, 6 September 1999.

“I have at last found a suitable spot and settled her. I have already spend a few days working and started eight canvases, which I hope, if the weather favours me, will give an idea of Norway and the environs of Christiania... This morning I was painting under constant falling snow. You would have burst out laughing seeing me white all over, my beard overgrown with icicles.”

Claude Monet (1840–1926) French impressionist painter

in his letter from Sandviken to Gustave Geffroy, late January 1895; (Geoffrey, 1922, vol 2 pp. 87-88); as cited in: Nathalia Brodskaya, Claude Monet, 2011, p. 106
Similar translation:
One should live here for a year in order to accomplish something of value, and that is only after having seen and gotten to know the country. I painted today, a part of the day, in the snow, which falls endlessly. You would have laughed if you could have seen me completely white, with icicles hanging from my beard like stalactites.
1890 - 1900
Source: Claude Monet, ‎Charles F. Stuckey (1985) Monet: a retrospective, p. 169

“I am distressed, almost discouraged, and fatigued to the point of slightly ill... Never have I been so unlucky with the weather. Never three suitable days in succession, so I have to be always making changes [in his paintings] for everything is growing and turning green. And I have dreamed of painting the Creuse [river in the South of France] just as we saw it... In short, by dint of changes I am following Nature without being able to grasp her, and then there is that river that shrinks, swells again, green one day, then yellow, sometimes almost dry, and which tomorrow will be a torrent, after the terrible rain that is falling at the moment. In fact, I am very worried. Write to me; I have a great need of comfort.”

Claude Monet (1840–1926) French impressionist painter

In his letter from Normandy to art-critic and friend Gustave Geffroy, 24 April 1889; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 129
1870 - 1890

“I have always been a Monarchist. In sentiment I still am. Now it is too late for me to change. But it is not for me to say that the new way is not the better way, the right way. So it may prove to be.”

Paul von Hindenburg (1847–1934) Prussian-German field marshal, statesman, and president of Germany

As quoted in TIME magazine (13 January 1930)
President

“It is said that the effect of eating too much lettuce is "soporific." I have never felt sleepy after eating lettuces; but then I am not a rabbit.”

Beatrix Potter book The Tale of The Flopsy Bunnies

Source: The Tale of the Flopsy Bunnies (1909)

Help us to complete the source, original and additional information

Camille Pissarro 51

Related quotes

Related topics