
Linus Pauling In His Own Words (1995) by Barbara Marinacci.
1990s
looking back to his early art-student years in Munich [c. 1903/4], when he was standing before the artdeco paintings of Leo Putz and Fritz Erler
undated
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 26 (translation: Claire Louise Albiez https://www.researchgate.net/publication/272168564)
Linus Pauling In His Own Words (1995) by Barbara Marinacci.
1990s
“Only Art and Religion can bring this new vision as reality to a nation.”
A Testament (1957)
Quote from a letter to Katherine Sophie Dreier, Paris 11 September 1929; as cted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 158
Duchamp's quote is referring to a new publication of the 'Duchamp Book' and to his famous so-called Art-Silence.
1921 - 1950
Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 406
"Interview with Patrick Warburton" by Josh Bell at AboutDOTcom (2 March 2009)]
Context: It is more inspirational, I’d say, with the Tick. Because once you grasp or realize who this guy is, the fact that you’re inventing a world and an atmosphere and a persona that, really, his past is a mystery. So everything that he looks at or perceives can be brand new, and he can get really, really excited and intrigued by something that’s just a commonality for everybody else, that’s humorous. He’s like a child; everything’s new. So you just bring that attitude to him, a childlike attitude of discovering things.
Yet you’ve got this great writing, where everything’s mixed metaphor, and he’s articulate, and he describes everything in a new way. It’s inspiring as an actor to be able to go to that place. Anything you do is not going to be wrong. All you’ve got to do is just be inventive with this character and have fun. That’s the definition of an ingenious character. To get to step into the shoes of the Tick, I just felt that was an honor. Once again, I will reiterate that Fox apparently didn’t have a clue.
"Nihilism On A Religious Soil" (6 May 1907); it should be noted here that Berdyaev is here defining "theocracy" not in the sense as it is often used, of people ruling over other people, in claims of doing so by the commands of God, but rather defining it in terms of Christian anarchism — as a vigorous assertion of the right of no-one to rule over humans, save God.
Context: The new religious consciousness rises up against the nihilistic attitude towards the world and mankind. If a religious rebirth be possible, only then on this soil will there be the revealing of the religious meaning of secular culture and earthly liberation, the revealing of the truth about mankind. For the new religious consciousness the declaration of the will of God is together with this a declaration of the rights of man, a revealing of the Divine within mankind. We believe in the objective, the cosmic might of the truth of God, in the possibility according to God to guide the earthly destiny of mankind. This will be the victory of the true theocracy, whether over a false democratism, — the apotheosis of the quantitative collectivity of human wills, or so also over the false theocraticism, — all that apotheosis of the human will within Caesaropapism or Papocaesarism. Christ cannot have human vicarage in the person of the tsar or high-priest. He — is Himself the Tsar and High-Priest, and He will reign in the world. “Thy Kingdom come, Thy Will be done on earth, as it is in Heaven.”
Afro-Asian Conference (1965)
Context: Socialism cannot exist without a change in consciousness resulting in a new fraternal attitude toward humanity, both at an individual level, within the societies where socialism is being built or has been built, and on a world scale, with regard to all peoples suffering from imperialist oppression.
"Quotes", Anatomy of Criticism: Four Essays (1957), Mythical Phase: Symbol as Archetype
Mondrian tried to convince the Dutch publisher Stols to publish his new manuscript 'L'art et la vie'
In a letter to A. M. Stols, 26 March 1932; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 222
1930's