“There seems to be a general consensus of opinion among modern scholars that the Bhagavadgītā, as it now appears in the Epic, is not an original poem composed by a single hand, but an ancient work, rewritten and enlarged. But all are not agreed as to the history of the poem's composition.”

—  W. Douglas P. Hill

Source: The Bhagavadgītā (1973), p. 18. (12. The composition of the Bhagavadgītā)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "There seems to be a general consensus of opinion among modern scholars that the Bhagavadgītā, as it now appears in the …" by W. Douglas P. Hill?
W. Douglas P. Hill photo
W. Douglas P. Hill 28
British Indologist 1884–1962

Related quotes

Rachel Carson photo

“The sediments are a sort of epic poem of the earth.”

Rachel Carson book The Sea Around Us

Chapter 6, Page 98 https://books.google.com/books?id=PvkDFTtW6f4C&&pg=PA98
The Sea Around Us (1951)

Ogden Nash photo

“This poem has widely been credited to Nash as a poem with the title "Fleas", but is actually the work of Strickland Gillilan and was originally titled "Lines on the Antiquity of Microbes.”

Ogden Nash (1902–1971) American poet

It has been dated to at least 1927 http://www.fun-with-words.com/shortest_poem.html, as published in the Mt Rainier Nature News Notes (1 July 1927).
Misattributed

“The Bhagavadgītā presents the doctrine that Kṛiṣṇa Vāsudeva, who helped the Pāṇḍava princes at the battle of Kurukṣetra as Arjuna's charioteer, was Supreme God, a descent of the Absolute into the world of men. Kṛiṣṇa is called Bhagavat, and the poem is a product of the Bhāgavata or Vāsudeva sect, which at the time of its composition was beginning to identify Kṛiṣṇa with Viṣṇu.”

W. Douglas P. Hill (1884–1962) British Indologist

Source: The Bhagavadgītā (1973), p. 1. (1. Problems)

Roger Ebert photo

“Troy is based on the epic poem The Iliad by Homer, according to the credits. Homer's estate should sue.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/troy-2004 of Troy (14 May 2004)
Reviews, Two star reviews

Theodore Roszak photo

“Nature composes some of her loveliest poems for the microscope and the telescope.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: Where the Wasteland Ends

“Emerson writes in his Journal that all men try their hands at poetry, but few know which their poems are. The poets are not those who write poems, but those who know which of the things they write are poems.”

Carl Andre (1935) American artist

Quote from a 1962 essay by Andre; as quoted in ' Objects Are What We Aren't' https://www.theparisreview.org/blog/2015/02/26/objects-are-what-we-arent/, by Andy Battaglia; The Parish Review, February 26, 2015

Edgar Allan Poe photo

“There neither exists nor can exist any work more thoroughly dignified — more supremely noble than this very poem — this poem per se — this poem which is a poem and nothing more — this poem written solely for the poem's sake.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

The Poetic Principle (1850)

“There seems to be a general consensus among informed observers that genuine cases of predation are very rare birds.”

William J. Baumol (1922–2017) American economist

William J. Baumol. "Predation and the Logic of the Average Variable Cost Test." Journal of Law and Economics, Vol. XXXIX, April 1996, p. 51.

“Poems are experiences as well as whatever else they are, and for me now, nothing, not respect, honor, money, seems as supportive as just having produced a body of work, which I hope is, all considered, good.”

A.R. Ammons (1926–2001) American poet

Paris Review interview (1996)
Context: I write for love, respect, money, fame, honor, redemption. I write to be included in a world I feel rejected by. But I don’t want to be included by surrendering myself to expectations. I want to buy my admission to others by engaging their interests and feelings, doing the least possible damage to my feelings and interests but changing theirs a bit. I think I was not aware early on of those things. I wrote early on because it was there to do and because if anything good happened in the poem I felt good. Poems are experiences as well as whatever else they are, and for me now, nothing, not respect, honor, money, seems as supportive as just having produced a body of work, which I hope is, all considered, good.

Related topics