“From his childhood onward this boy [the future Edward VIII] will be surrounded by sycophants and flatterers by the score—[Cries of ‘Oh, oh!’]—and will be taught to believe himself as of a superior creation. [Cries of ‘Oh, oh!’] A line will be drawn between him and the people whom he is to be called upon some day to reign over. In due course, following the precedent which has already been set, he will be sent on a tour round the world, and probably rumours of a morganatic alliance will follow—[Loud cries of ‘Oh, oh!’ and ‘Order!’]—and the end of it all will be that the country will be called upon to pay the bill.”

United States v. Algeria http://www.listenonrepeat.com/watch/?v=DALDkkXodRU (23 June 2010). <br class="br">2010s, 2010, 2010 FIFA World Cup <br class="br">Context: Four minutes of added time. That might lift the United States, that&#x27;s time enough. Dreadfully negative, really. From the Algerians, they&#x27;re looking for things on the break. I suspect they&#x27;ll get a chance or two, on the break. Ghezzal, that&#x27;s a good ball he&#x27;s found there to Guedioura who plays it deep. Saïfi, with a header. Howard, gratefully claims it. Distribution, brilliant. Landon Donovan. Oh, are things on here for the USA? Can they do it here? Cross, and Dempsey is denied again, and Donovan has scored! Oh, can you believe this? Go, go, USA! Certainly through! Oh, it&#x27;s incredible! You could not write a script like this!

Source: Fate's Edge

Diary entry (12 November 1881) after visiting the House of Commons, quoted in W. R. P. George, The Making of Lloyd George (1976), p. 101.
1880s

The Rubaiyat (1120)

In answer to the question as to whether he ever thought he might be quite mad. Granada Television documentary on Scientology http://www.youtube.com/watch?v=L_w-YWwC1lI#t=1503.

Oh Boy!, written by Sonny West, Bill Tilghman, and Norman Petty
Song lyrics, The "Chirping" Crickets (1957)

A Propos of Lady Chatterley's Lover (1929)
Context: Sex is the balance of male and female in the universe, the attraction, the repulsion, the transit of neutrality, the new attraction, the new repulsion, always different, always new. The long neuter spell of Lent, when the blood is low, and the delight of the Easter kiss, the sexual revel of spring, the passion of midsummer, the slow recoil, revolt, and grief of autumn, greyness again, then the sharp stimulus of winter of the long nights. Sex goes through the rhythm of the year, in man and woman, ceaselessly changing: the rhythm of the sun in his relation to the earth. Oh, what a catastrophe for man when he cut himself off from the rhythm of the year, from his unison with the sun and the earth. Oh, what a catastrophe, what a maiming of love when it was a personal, merely personal feeling, taken away from the rising and the setting of the sun, and cut off from the magic connection of the solstice and the equinox! This is what is the matter with us. We are bleeding at the roots, because we are cut off from the earth and sun and stars, and love is a grinning mockery, because, poor blossom, we plucked it from its stem on the tree of Life, and expected it to keep on blooming in our civilised vase on the table.

Song A World of Our Own.

Source: Alice's Adventures in Wonderland and Through the Looking Glass