Introduction to Fortune, My Foe and Eros at Breakfast (c. 1993).
Context: The truth is that art does not teach; it makes you feel, and any teaching that may arise from the feeling is an extra, and must not be stressed too much. In the modern world, and in Canada as much as anywhere, we are obsessed with the notion that to think is the highest achievement of mankind, but we neglect the fact that thought untouched by feeling is thin, delusive, treacherous stuff.
“.. art lies in the fine choice. The artist does not teach us to see facts: he teaches us to feel harmonies.”
"Talks on the Appreciation of Art", The Delinator (Jan 1915)
Other
Help us to complete the source, original and additional information
Arthur Wesley Dow 7
painter from the United States 1857–1922Related quotes

Games for Actors and non-Actors (1992)
Context: Wouldn’t it be wonderful to see a dance piece where the dancers danced in the first act and in the second showed the audience how to dance? Wouldn’t it be wonderful to see a musical where in the first act the actors sang and in the second we all sang together?... This is... how artists should be—we should be creators and also teach the public how to be creators, how to make art, so that we may all use that art together.

La logique nous apprend que sur tel ou tel chemin nous sommes sûrs de ne pas rencontrer d'obstacle ; elle ne nous dit pas quel est celui qui mène au but. Pour cela il faut voir le but de loin, et la faculté qui nous apprend à voir, c'est l'intuition. Sans elle, le géomètre serait comme un écrivain qui serait ferré sur la grammaire, mais qui n'aurait pas d'idées.
Part II. Ch. 2 : Mathematical Definitions and Education, p. 130
Science and Method (1908)

Source: Books, Coningsby (1844), The Young Duke (1831), Chapter 10.

Source: We Make the Road by Walking: Conversations on Education and Social Change