“Don’t come before the orchestra is you have not mastered the score; don’t practise or learn the score ‘on the orchestra”

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Pierre Monteux20

French conductor 1875–1964

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“You conductors who are so proud of your power! When a new man faces the orchestra–from the way he walks up the steps to the podium and opens his score–before he even picks up his baton–we know whether he is the master or we.”

Franz Strauss (1822–1905) German composer and virtuoso horn player. Father of Richard Strauss

Harold C. Shonberg, The Great Conductors, ISBN 0671208349

“More and more film scores are being recorded the way television scores are recorded. The performers are not shown any footage. I personally don't like working that way because if you do not allow the members of the orchestra to see footage on a big screen, they will tend to perform as if they are in a concert hall. They will try not to stand out. They will try to perform as members of an orchestra. What is needed when scoring a movie such as GODZILLA VS. MECHAGODZILLA is playing that is much more aggressive. No matter how much you explain the character of Godzilla to the performers and urge them to play aggressively, they still will play as if they are in a concert hall. However, if you show the performers footage of Godzilla, their playing will dramatically change. That is why I insisted on being allowed to show footage to the performers before I agreed to score GODZILLA VS. GHIDRAH.”

Akira Ifukube (1914–2006) Japanese composer

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“You don’t need scores of suitors. You need only one… if he’s the right one.”

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“He never asks the orchestra to do anything which contradicts the players' feeling of what the music signifies or what the printed notes of the score actually mean in plain musical language. To his credit he does not pretend to omniscience. When a certain progression of programs with the Philharmonic decreed that he conduct the Brahms Fourth Symphony two seasons ago, he disavowed intensive rehearsals with the simple statement to the orchestra: "Gentlemen, you know the work better than I do." Both the compliment and the attitude endeared themselves so much to the orchestra that they literally forgot themselves in a mass effort to justify his statement—and, as one of those who heard the performance, I can testify that they delivered one of the most powerful and integrated interpretations of the score that New York has experienced in years.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

On conductor George Enescu, in "Music in Aspic," Harper's Magazine (October 1939) and A Smattering of Ignorance (1940); as quoted in "Lightning Wit Plays On American Musical Scene; Oscar Levant Answers Unspoken Request for 'Information, Please' With Uncensored Comments on Exalted Persons" by Ray C. B. Brown, in The Washington Post (January 14, 1940), p. E4

“To lead the orchestra, you have to turn your back on the crowd.”

Max Lucado (1955) American clergyman and writer

“For managers such big scores don’t have any meaning, whether you win 5-0 or you lose 5-0. You’re elated (with such a victory) but ‘footballistically’ it does not show the real difference between teams.”

Arsène Wenger (1949) French footballer and manager

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“If we don’t leave on October 31, then the scores you’ve seen for the Brexit Party today will be repeated in a general election, and we are getting ready for it.”

Nigel Farage (1964) British politician and former commodity broker

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Ludwig Van Beethoven (1770–1827) German Romantic composer

“To lead an orchestra, you must turn your back on the crowd”

Aristotle (-384–-321 BC) Classical Greek philosopher, student of Plato and founder of Western philosophy

“I often conduct an orchestra in my sleep; my orchestras are so huge that the back desks of the violas vanish into the horizon. And everything is so wonderful.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

To Jussi Jalas, August 27, 1943. http://www.sibelius.fi/english/omin_sanoin/ominsanoin_13.htm

“Don’t come before the orchestra is you have not mastered the score; don’t practise or learn the score ‘on the orchestra”

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Pierre Monteux20

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