“The poet's need to try to find his own voice, a recognizable individual voice that carries the signature of his voice in almost every line... the unique tone being the consequence of the poet's rigorous search for truth ( his truth(, his absolute fidelity to the nature of the experience he was exploring.”

— Vernon Scannell

A Proper Gentleman, 1977

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Vernon Scannell 33

British boxer and poet 1922–2007

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“For his voice could search the heart, and that was his gift and his strength.”

Stephen Vincent Benét book The Devil and Daniel Webster

The Devil and Daniel Webster (1937)
Context: Then he turned to Jabez Stone and showed him as he was — an ordinary man who'd had hard luck and wanted to change it. And, because he'd wanted to change it, now he was going to be punished for all eternity. And yet there was good in Jabez Stone, and he showed that good. He was hard and mean, in some ways, but he was a man. There was sadness in being a man, but it was a proud thing too. And he showed what the pride of it was till you couldn't help feeling it. Yes, even in hell, if a man was a man, you'd know it. And he wasn't pleading for any one person any more, though his voice rang like an organ. He was telling the story and the failures and the endless journey of mankind. They got tricked and trapped and bamboozled, but it was a great journey. And no demon that was ever foaled could know the inwardness of it — it took a man to do that.
The fire began to die on the hearth and the wind before morning to blow. The light was getting gray in the room when Dan'l Webster finished. And his words came back at the end to New Hampshire ground, and the one spot of land that each man loves and clings to. He painted a picture of that, and to each one of that jury he spoke of things long forgotten. For his voice could search the heart, and that was his gift and his strength. And to one, his voice was like the forest and its secrecy, and to another like the sea and the storms of the sea; and one heard the cry of his lost nation in it, and another saw a little harmless scene he hadn't remembered for years. But each saw something. And when Dan'l Webster finished he didn't know whether or not he'd saved Jabez Stone. But he knew he'd done a miracle. For the glitter was gone from the eyes of the judge and jury, and, for the moment, they were men again, and knew they were men.

“For the skeptic finds that he also was in search of objective truth: and that the absolute truth of his statement is irrelevant to his quest. Whence his skepticism toward objective truth remains unanswered.”

William Ernest Hocking (1873–1966) American philosopher

Source: The Meaning of God in Human Experience (1912), Ch. XIV : The Need of an Absolute, p. 192.
Context: As in reply to the skeptic or agnostic, who asserts in despair that there is no absolute truth. The dialectician retorts: Then at least your own assertion must be absolutely true. There must be some absolute truth, for you cannot assert that there is none without self-contradiction. As in Descartes' case, the doubter is reminded of himself. There, in his own assertion, is a certainty from which he cannot escape.
This turn of thought which reminds the enquirer of himself, we shall call the reflexive turn. It reappears in all discoveries of the Absolute. It is clinching--but is likely to disappoint, even as Descartes' result disappoints. For the skeptic finds that he also was in search of objective truth: and that the absolute truth of his statement is irrelevant to his quest. Whence his skepticism toward objective truth remains unanswered.

“The poet's matter being the hitherto experience of the world, and his own, increases with every century.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

Letter to Arthur Hugh Clough (December 1847/early 1848)
Context: Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.

“The past is the poet's,—that world is his own;
Thence hath his music its truth and its tone.
He calls up the shadows of ages long fled,
And light, as life lovely, illumines the dead.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

“Fundamentally a good author has his or her own sense of style. There is a natural, deep voice, and that voice is present from the first draft of a manuscript. When he or she elaborates on the initial manuscript, it continues to strengthen and simplify that natural, deep voice.”

Kenzaburō Ōe (1935) Japanese author

Paris Review interview (2007)

“Cannon his name,
Cannon his voice, he came.”

George Meredith (1828–1909) British novelist and poet of the Victorian era

Napoléon, I (1898).

“A poet can only write about what is true to his own experience, not about what he would like to be true to his experience.”

Stephen Spender (1909–1995) English poet and man of letters

Foreword
The Still Centre (1939)
Context: A poet can only write about what is true to his own experience, not about what he would like to be true to his experience.
Poetry does not state truth, it states the conditions within which something felt is true. Even while he is writing about the little portion of reality which is part of his experience, the poet may be conscious of a different reality outside. His problem is to relate the small truth to the sense of a wider, perhaps theoretically known, truth outside his experience.

“The most important of the beat poets. He was a really true poet with an original voice, probably the most lyrical of those poets.”

Nancy Peters (1936) American writer and publisher

Carol Ness, "Beat Poet Gregory Corso, 70, Dies of Cancer" http://sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2001/01/18/MN143830.DTL, San Francisco Chronicle, 2001-01-18. : On Gregory Corso.
2000s

“Horrified, The Goober counted the punches Janza was throwing at his helpless opponent. Fifteen, sixteen. He leaped to his feet. Stop it, stop it. But nobody heard. His voice was lost in he thunder or screaming voices, voices calling for the kill… kill him, kill him.”

Robert Cormier book The Chocolate War

Source: The Chocolate War (1974), p. 254

“The desire of a poet for his writings to be in print is as natural as a painter needs to exhibit his work in public.”

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

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