“Objects enter into each other... Chardin [French classical still-life painter] was the first to have glimpsed that and rendered the atmosphere of objects... Notice how a light transversal plane straddling the bridge of your nose makes the values more evident to the eye... Well, he noticed that before we did... He neglected nothing. He also perceived that whole encounter in the atmosphere of the tiniest particles, the fine dust of emotion that surrounds objects..”

— Paul Cézanne

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 220 in: 'What he told me – III. The Studio'

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Paul Cézanne 62

French painter 1839–1906

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“As soon as a true thought has entered our mind, it gives a light which makes us see a crowd of other objects which we have never perceived before.”

François-René de Chateaubriand (1768–1848) French writer, politician, diplomat and historian

Aussitôt qu'une pensée vraie est entrée dans notre esprit, elle jette une lumière qui nous fait voir une foule d'autres objets que nous n'apercevions pas auparavant.
As quoted in A Dictionary of Thoughts: Being a Cyclopedia of Laconic Quotations from the Best Authors of the World, both Ancient and Modern (1908) by Tyron Edwards.

“A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations... To paint a human figure you must not paint it; you must render the whole of its surrounding atmosphere.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 172.
1910, Manifesto of Futurist Painters,' April 1910

“All objects project their whole image and likeness, diffused and mingled in the whole of the atmosphere, opposite to themselves.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: All objects project their whole image and likeness, diffused and mingled in the whole of the atmosphere, opposite to themselves. The image of every point of the bodily surface, exists in every part of the atmosphere. All the images of the objects are in every part of the atmosphere.

“Atmosphere is the medium through which we see all things. In order, therefore, to see them in their true value on a photograph, as we do in Nature, atmosphere must be there. Atmosphere softens all lines; it graduates the transition from light to shade; it is essential to the reproduction of the sense of distance. That dimness of outline which is characteristic for distant objects is due to atmosphere. Now, what atmosphere is to Nature, tone is to a picture.”

Alfred Stieglitz (1864–1946) American photographer

Source: 'A Plea for Art Photography in America', Alfred Stieglitz, in 'Photographic Mosaics,' Vol 28, 1892: About Pictorialism.

“He [ Marcel Duchamp ] entered this object [the 'Urinal' ready-made] into the museum and noticed that its transportation from one place to another made it into art. But he failed to draw the clear and simple conclusion that every man is an artist.”

Joseph Beuys (1921–1986) German visual artist

as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, by Victoria Walters, LIT Verlag Münster, 2012, p. 206
Quotes after 1984, posthumous published

“I am now working on a still life with a bottle and other objects spread out on a plane and it seems to be turning out well.”

Giorgio Morandi (1890–1964) Italian painter

1925 - 1945

“What motive had a Dutch painter in painting a picture? None. And notice that he never asked for one. A peasant with a drunken red nose looks at you with his heavy eye and laughs with open mouth showing his teeth, raising a jug; if it is well painted, it has its value.”

Eugène Fromentin (1820–1876) French painter

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

“Relativity distorted classical expectations in a way that Clavain still did not find entirely intuitive. Slam two objects towards each other, each with individual velocities just below light-speed, and the classical result for their closing velocity would be the sum of their individual speeds: just under twice the speed of light. Yet the true result, confirmed with numbing precision, was that the objects saw each other approach with a combined speed that was still just below the speed of light. Similarly, the relativistic closing velocity for two objects moving towards each other with individual speeds of one-half of light-speed was not light-speed itself, but eight-tenths of it. It was the way the universe was put together, and yet it was not something the human mind had evolved to accept.”

Alastair Reynolds book Redemption Ark

Source: Redemption Ark (2002), Chapter 26 (p. 463)

“The body of the atmosphere is full of infinite radiating pyramids produced by the objects existing in it.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The body of the atmosphere is full of infinite radiating pyramids produced by the objects existing in it. These intersect and cross each other with independent convergence without interfering with each other and pass through all the surrounding atmosphere; and are of equal force and value — all being equal to each, each to all. And by means of these, images of the body are transmitted everywhere and on all sides, and each receives in itself every minutest portion of the object that produces it.

“Tonight he noticed how the women's eyes
Passed from him to the strong men that were whole.”

Wilfred Owen (1893–1918) English poet and soldier (1893-1918)

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