“Art goes… imitating that Rationall and most excellent worke of Nature, Man. For by Art is created that great Leviathan called a Common-Wealth or State, (in latine Civitas) which is but an Artificiall Man; though of greater stature and strength than the Naturall, for whose protection and defence it was intended; and in which the Soveraignty is an Artificiall Soul, as giving life and motion to the whole body; The Magistrates, and other Officers of Judicature and Execution, artificiall Joynts; Reward and Punishment (by which fastned to the seate of the Soveraignty, every joynt and member is moved to performe his duty) are the Nerves, that do the same in the Body Naturall; The Wealth and Riches of all the particular members, are the Strength; Salus Populi (the peoples safety) its Businesse; Counsellors, by whom all things needfull for it to know, are suggested unto it, are the Memory; Equity and Lawes, an artificiall Reason and Will; Concord, Health; Sedition, Sicknesse; and Civill war, Death.”

Book II, Ch. I, pp. 93-94.
Physics

XI, 10
Meditations (c. 121–180 AD), Book XI

Source: Ideas have Consequences (1948), p. 6.

The Decay of Lying (1889)

Marginalia http://www.easylit.com/poe/comtext/prose/margin.shtml (November 1844)

Source: Outlines of a Philosophy of Art, 1925, p. 7

[Parameswaran, Uma, C.V. Raman: A Biography, http://books.google.com/books?id=RbgXRdnHkiAC, 2011, Penguin Books India, 978-0-14-306689-7] page=xiv

Les passions sont les seuls orateurs qui persuadent toujours. Elles sont comme un art de la nature dont les règles sont infaillibles; et l'homme le plus simple qui a de la passion persuade mieux que le plus éloquent qui n'en a point.
Variant translation: The passions are the only orators who always persuade. They are like a natural art, of which the rules are unfailing; and the simplest man who has passion will be more persuasive than the most eloquent man who has none.
Maxim 8.
Reflections; or Sentences and Moral Maxims (1665–1678)