“A central concept called into question by net-poetry is the relation with reality. Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation.”

— Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 132

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Caterina Davinio 16

Italian writer 1957

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“A central concept called into question by net-poetry is the relation with reality.”

Caterina Davinio (1957) Italian writer

Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation.
Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 132

“Socializing on the internet is to socializing, what reality TV is to reality.”

Aaron Sorkin (1961) American screenwriter, producer, playwright

The Colbert Report http://www.colbertnation.com/the-colbert-report-videos/360641/september-30-2010/aaron-sorkin at 7m35s. Aired 2010/09/30, retrieved 2010/10/16.
said whilst promoting The Social Network in an interview with Stephen Colbert on The Colbert Report in defense of not having a Facebook account.

“We know only what we do, what we make, what we construct; and all that we make, all that we construct, are realities. I call them images, not in Plato's sense (namely that they are only reflections of reality), but I hold that these images are the reality itself and that there is no reality beyond this reality except when in our creative process we change the images: then we have created new realities.”

Naum Gabo (1890–1977) Russian sculptor

Quote of Naum Gabo, 1950; as cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 31
1936 - 1977

“The artistic image is not intended to represent the thing itself, but, rather, the reality of the force the thing contains.”

James Baldwin book Nobody Knows My Name

Source: Nobody Knows My Name

“Then there is the further question of what is the relationship of thinking to reality. As careful attention shows, thought itself is in an actual process of movement. That is to say, one can feel a sense of flow in the stream of consciousness not dissimilar to the sense of flow in the movement of matter in general. May not thought itself thus be a part of reality as a whole? But then, what could it mean for one part of reality to 'know' another, and to what extent would this be possible?”

David Bohm book Wholeness and the Implicate Order

Wholeness and the Implicate Order (1980)

“Poetry is an awareness of the world, a particular way of relating to reality.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time

“Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian, 1914 from Wikipedia; as cited by Michel Seuphor, in 'Piet Mondrian: Life and Work;Abrams, New York, 1956, p. 117
1910's

“The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.”

Richard Wilbur (1921–2017) American poet

As quoted by John Gery in Ways of Nothingness: Nuclear Annihilation and Contemporary American Poetry (1996)
Context: In each art the difficulty of the form is a substitution for the difficulty of direct apprehension and expression of the object. The first difficulty may be more or less overcome, but the second is insuperable; thus every poem begins, or ought to, by a disorderly retreat to defensible positions. Or, rather, by a perception of the hopelessness of direct combat, and a resort to the warfare of spells, effigies, and prophecies. The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.

“We realize, however, that all scientific laws merely represent abstractions and idealizations expressing certain aspects of reality. Every science means a schematized picture of reality, in the sense that a certain conceptual construct is unequivocally related to certain features of order in reality;”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Source: General System Theory (1968), 4. Advances in General Systems Theory, p. 83

“The writer in relation to the nature of perceivable reality and what is beyond — imperceivable reality — is the basis for all these studies, no matter what resulting concepts are labelled, and no matter in what categorized microfiles writers are stowed away for the annals of literary historiography. Reality is constructed out of many elements and entities, seen and unseen, expressed, and left unexpressed for breathing-space in the mind.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

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Caterina Davinio 16

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