“It upsets women to be, or not to be, stared at hungrily.”

The Complete Neurotic's Notebook (1981), Women & men

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Mignon McLaughlin 278
American journalist 1913–1983

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“There were never that many women stand-up comics in the past because the power to make people laugh is also a power that gets people upset.”

Gloria Steinem (1934) American feminist and journalist

The Humanist interview (2012)
Context: There were never that many women stand-up comics in the past because the power to make people laugh is also a power that gets people upset. But the ones who were performing were making jokes on themselves usually and now that’s changed. So there are no rules exactly but I think if you see a whole group of people only being self-deprecating, it’s a problem.
But I have always employed humor, and I think it’s absolutely crucial that we do because, among other things, humor is the only free emotion. I mean, you can compel fear, as we know. You can compel love, actually, if somebody is isolated and dependent — it’s like the Stockholm syndrome. But you can’t compel laughter. It happens when two things come together and make a third unexpectedly. It happens when you learn something, too. I think it was Einstein who said he had to be careful when he shaved because if he thought of something suddenly, he’d laugh and cut himself.
So I think laughter is crucial. Some of the original cultures, like the Dalit and the Native American, don’t separate laughter and seriousness. There’s none of this kind of false Episcopalian solemnity.

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“It’s important to note that both women and men stare, but men are more obvious. In Islam, men are taught to lower their gaze in front of a woman, but that does not happen often.”

Cynthia D. Ritchie attributed in Who let the dogs out?, Pakistan Today . Com https://www.pakistantoday.com.pk/2020/06/21/who-let-the-dogs-out-3/ 2020 June, 21.

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“Villages and valleys pass by [Balla viewed during his train voyage to Düsseldorf in July 1912] and with my friend the binoculars [field glasses] I stare into the closest windows; semi-undressed people who wash themselves, bedding on balconies, clean almost empty rooms, a stupendous white shoulder of a women who, with a nude arm opens a door and goes inside.”

Giacomo Balla (1871–1958) Italian artist

quote from a letter to Balla's family, July 1912; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 306, note 34

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