“How deeply the perverse Jewish spirit has penetrated German cultural life is shown in the frightening and horrifying forms of the Exhibition Of Degenerate Art in München ….. This has nothing at all to do with the suppression of artistic freedom and modem progress. On the contrary, the botched art works which were exhibited there and their creators are of yesterday and before yesterday. They are the senile representatives, no longer to be taken seriously, of a period that we have intellectually and politically overcome and whose monstrous, degenerate creations still haunt the field of the plastic arts in our time.”
Von der Großmacht zur Weltmacht on the seizure of thousands of works of German art. (26 November 1937)
1930s
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Joseph Goebbels 145
Nazi politician and Propaganda Minister 1897–1945Related quotes

Games for Actors and non-Actors (1992)
Context: Wouldn’t it be wonderful to see a dance piece where the dancers danced in the first act and in the second showed the audience how to dance? Wouldn’t it be wonderful to see a musical where in the first act the actors sang and in the second we all sang together?... This is... how artists should be—we should be creators and also teach the public how to be creators, how to make art, so that we may all use that art together.

to critiques
Daniel Buren (1972), cited in: Marina Abramović, Jens Hoffmann (2004). The next Documenta should be curated by an artist.
1970s

version in Dutch (citaat van Israëls, in het Nederlands): Ik geloof niet in joodse kunst. Er zijn joodse kunstenaars, d.w.z. kunstenaars die joods geboren zijn, maar dat wil nog niet zeggen dat hun werk joodse kunst is.
Quote of Jozef Israëls, 9 July 1907, translated from his letter (written in German) to the committee of the Exhibition for Jewish Art in Berlin; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 55
Jozef Israëls was Jewish himself, but refused to call his art Jewish as the Zionist movement liked to call it
Quotes of Jozef Israels, after 1900
“Prices have no memory, and yesterday has nothing to do with tomorrow.”
Source: The Money Game (1968), Chapter 11, What The Hell Is A Random Walk?, p. 148

Or Michel Foucault: the New Panopticons at the Centre Georges Pompidou? What would Susan Sontag or Roland Barthes have done at the International Center of Photography or at the Tate? What could Friedrich Nietzsche have done at the Louvre Museum? What indeed could Georges Bataille have haughtily done at the Metropolitan Museum of Art?
Joseph Nechvatal. " Painting and Philosophy: An Assessment http://hyperallergic.com/90646/painting-and-philosophy-an-assessment/," at hyperallergic.com, October 28, 2013

from: 'Lebenserinnerungen', 1938
Source: 1936 - 1941, Life Memories' (1938), p. 20

[In] 1927 Exhibition of Typography in Moscow.
1926 - 1941, Autobiography of the artist' (1941)

Quote from De Chirico's letter to Mr. Fritz Gartz, Paris, 8 Oct. 1912; from LETTERS BY GIORGIO DE CHIRICO TO FRITZ GARTZ, PARIS, 1912-1914 http://www.fondazionedechirico.org/wp-content/uploads/576-579Metafisica7_8.pdf, p. 576
1908 - 1920