“To impact someone emotionally, [a musical piece] has to contain "interesting" melodic, harmonic, or rhythmic content, and what defines "interesting" is up to the listener.”

—  Andrew Sega

Andrew Sega Shrine interview, 2011

Adopted from Wikiquote. Last update Sept. 14, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "To impact someone emotionally, [a musical piece] has to contain "interesting" melodic, harmonic, or rhythmic content, a…" by Andrew Sega?
Andrew Sega photo
Andrew Sega 52
musician from America 1975

Related quotes

Andrew Sega photo
Frank Zappa photo
Bhimsen Joshi photo

“Johnny has never written a tune – at least none I've ever heard – that wasn't melodically and harmonically perfect.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in the liner notes from Songs for Rainy Day Lovers (1967)

Jesper Kyd photo

“I am interested in music that, while being experimental, is still great and fun to listen to.”

Jesper Kyd (1972) musician

Teamxbox, Audiophile interview, 2003

Joanna Newsom photo

“I'm really interested in the harp as a fully actualized, self-contained way of presenting songs. That there is a bass in the harp - there is a way to create a rhythmic sense without drums - there's a way to have all sorts of textural variations and expressive variations.”

Joanna Newsom (1982) American musician

Sunday Service, 13 December 2004
Context: I'm not terribly interested in playing harp on other people's music right now. Partly because I feel like many people view the harp as this kind of gimmick. You know, like they have songs that are fully realized, complete songs, and then they think "How do we make this special? - Ooh, let's bring the harp in!" and they kind of want a harpist to play a glissando and play some heavenly noise in the background. I'm really interested in the harp as a fully actualized, self-contained way of presenting songs. That there is a bass in the harp - there is a way to create a rhythmic sense without drums - there's a way to have all sorts of textural variations and expressive variations.
I also don't want to feel bound to the harp, I'd be interested in bringing other instruments in at some time. But I think the harp has been viewed in one particular way for so long, and has been limited for so long, that I feel like I am really interested in stretching the boundaries of what it's capable of doing and how it's perceived.

Miles Davis photo

“The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them…I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.”

Miles Davis (1926–1991) American jazz musician

About the new modal style. Interviewed by The Jazz Review, 1958; Quotes in Paul Maher, ‎Michael K. Dorr (2009) Miles on Miles: Interviews and Encounters with Miles Davis, p. 18.
1950s

Jeff Tweedy photo

Related topics