version in original Dutch / citaat van Paul Gabriël, in Nederlands: Een vroege morgen kan er oppervlakkig grijs uitzien, maar ze is het niet.. ..de dauw is veel gekleurder dan men wel zou geloven, dikwijls zo sterk dat het palet te kort schiet.
Quote of Paul Gabriël, in a letter to a befriended art-critic; as cited in 'Dauw heeft meer kleur dan men denkt', by Truus Ruiter https://www.volkskrant.nl/cultuur-media/dauw-heeft-meer-kleur-dan-men-denkt~b14d3e3c/; newspaper 'de Volkskrant', 27 July 1998
Gabriël avoided to use frequently grey in his work, because he loved natural colors
undated quotes
“It appears from this inquiry that color and other physiological characters are of a more superficial and accidental nature than was at one time supposed.”
Source: Vestiges of the Natural History of Creation (1844), p. 278
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Robert Chambers (publisher, born 1802) 100
Scottish publisher and writer 1802–1871Related quotes
translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Een vroege morgen kan er oppervlakkig grijs uitzien, maar ze is het niet.. ..de dauw is veel gekleurder dan men wel zou geloven, dikwijls zo sterk dat het palet te kort schiet.
Quote of Paul Gabriël, in a letter to a befriended art-critic; as cited in 'Dauw heeft meer kleur dan men denkt', by Truus Ruiter https://www.volkskrant.nl/cultuur-media/dauw-heeft-meer-kleur-dan-men-denkt~b14d3e3c/; newspaper 'de Volkskrant', 27 July 1998
Gabriël avoided to use frequently grey in his work, because he loved natural colors
undated quotes
Section V
1916 - 1920, Creative Credo (1920)
Context: Formerly we used to represent things visible on earth, things we either liked to look at or would have liked to see. Today we reveal the reality that is behind visible things, thus expressing the belief that the visible world is merely an isolated case in relation to the universe and that there are many more other, latent realities. Things appear to assume a broader and more diversified meaning, often seemingly contradicting the rational experience of yesterday. There is a striving to emphasize the essential character of the accidental.
Source: The Subtle Art of Not Giving a F*ck (2016), Chapter 9, “...And Then You Die” (p. 206)
Source: after 1970, posthumous, Abstract Expressionism, Creators and Critics', 1990, p. 173 : working notes, undated
Source: Better-World Philosophy: A Sociological Synthesis (1899), Individual Culture, pp. 274–275
Discourse no. 6, delivered on December 10, 1774; vol. 1, p. 150.
Discourses on Art