“When I think back on Kong, that was like difficult too, because there was no reality in making that movie. There was so much that was left to my own devices and imagination. And when I had to play a scene opposite a 45-foot ape, that was bit taxing on your imagination because obviously there was nothing there, you know.”

New Again: Jessica Lange http://www.interviewmagazine.com/culture/new-again-jessica-lange/#_ (June 29, 2016)

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American actress 1949

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I think that this scene is upsetting because it calls us beyond fact into the vast world of imagination, and imagination is a word of many dimensions.

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“So that I would say that the problems are more difficult than I had imagined them to be. The responsibilities placed on the United States are greater than I imagined them to be, and there are greater limitations upon our ability to bring about a favorable result than I had imagined them to be. And I think that is probably true of anyone who becomes President, because there is such a difference between those who advise or speak or legislate, and between the man who must select from the various alternatives proposed and say that this shall be the policy of the United States. It is much easier to make the speeches than it is to finally make the judgments, because unfortunately your advisers are frequently divided. If you take the wrong course”

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“.. that one [a tree study in Gabriël's studio] is from my early times; I don't make them that way anymore; look how the thing is painted..; and those days my teachers told me that nothing would come of me in this way. What kind of folks were they? [o. a. his early and short teacher Koekoek, c. 1844-45] And which guys belonged to them? Well, let's keep mum about that; all those guys are dead already. But those days [c. 1840's] it was the ruling idea to use nature only as a tool; she had to be embellished later with imagination and so on …. imagination …. the stupidest thing in the world. (L. de Haes asked him: Do you think imagination is so improper?) Improper, I think it is simply an unhealthy trait. You see; imagination is the proper way to insanity. Imagine that you start painting from your imagination without knowing nature; after all, there will be no result whatsoever. All those people of imagination imagine so much, and it is the greatest misfortune you can have in life, you know what it is good for: to idealize your faults.”

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translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: ..da's er een [ een boom-studie] uit m'n eersten tijd; zoo doe 'k het niet meer; kijk dat ding eens geschilderd wezen; en in dien tijd zeiden mijn leermeesters dat er op die manier niets van mij terecht zou komen. Wat een lui waren dat hè [o.a. zijn tijdelijke vroege leermeester Koekoek, c. 1844-45]? En wie waren dat zoo al? Ja daar zullen we maar over zwijgen; die menschen zijn nu al dood; maar 't was toen de opvatting, de natuur alleen als hulpmiddel te gebruiken; zij moest nog verfraaid worden met verbeelding en zoo al meer .... imaginatie.... 't stomste wat er op de wereld is. (L. de Haes: Vindt u verbeelding dan zoo verwerpelijk?) Verwerpelijk, och ik vind het eenvoudig een ziekelijke eigenschap, zie je wel; verbeelding, dat is de weg naar de krankzinnigheid. Verbeeld je dat je uit je verbeelding gaat schilderen zonder de natuur te kennen; daar komt immers niets van terecht. Al die menschen van verbeelding verbeelden zich zoo veel, en 't is 't grootste ongeluk wat je op de wereld kan hebben, weet je waar 't alleen goed voor is: om je gebreken te idealiseeren.
Quote of Gabriël, 1893; as cited by L. de Haes, in 'P.J.C. Gabriël'; published in Elsevier's geïllustreerd maandschrift 3., April/May 1893, pp. 453-473
1880's + 1890's

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