“…there is very little about self-publishing a comic book that can be taught, but everything about it can be learned.”

As quoted in The Harper Book of Quotations (1993) edited by Robert I. Fitzhenry, p. 261
General sources
Variant: In three words I can sum up everything I've learned about life: it goes on.

The Paris Review interview
Context: From the age of about eight or nine I read just about every comic book available in England. At that time my parents owned a newsagent’s shop. I took the comics from the shop, read them, and put them back. That went on until I was twelve or thirteen. Then my mother brought in a sort of children’s encyclopedia that included sections of folklore. Little folktales. I remember the shock of reading those stories. I could not believe that such wonderful things existed. … throughout your life you have certain literary shocks, and the folktales were my first. From then on I began to collect folklore, folk stories, and mythology. That became my craze.

Emperor Has No Clothes Award acceptance speech (2003)
Context: I am a reasonably emotional person, and I see no reason why that's incompatible with being a scientist. Even if we learn about how everything works, that doesn't mean anything at all. You can reduce how an impala leaps to a bunch of biomechanical equations. You can turn Bach into contrapuntal equations, and that doesn't reduce in the slightest our capacity to be moved by a gazelle leaping or Bach thundering. There is no reason to be less moved by nature around us simply because it's revealed to have more layers of complexity than we first observed.
The more important reason why people shouldn't be afraid is, we're never going to inadvertently go and explain everything. We may learn everything about something, and we may learn something about everything, but we're never going to learn everything about everything. When you study science, and especially these realms of the biology of what makes us human, what's clear is that every time you find out something, that brings up ten new questions, and half of those are better questions than you started with.

Source: Still Writing: The Perils and Pleasures of a Creative Life

http://www.youtube.com/watch?v=HQ3VcbAfd4w
The Good Man Jesus and the Scoundrel Christ (2010)

Al Abrams, from "Sidelight on Sports: A New One on Yogi" https://news.google.com/newspapers?id=kpJRAAAAIBAJ&sjid=pGoDAAAAIBAJ&pg=1705%2C4055373 in The Pittsburgh Press (Monday, September 15, 1952), p. 20.

http://www.independent.co.uk/arts-entertainment/books/features/alan-moore-the-reluctant-hero-64407.html
Context: If I write a crappy comic book, it doesn't cost the budget of an emergent Third World nation. When you've got these kinds of sums involved in creating another two hours of entertainment for Western teenagers, I feel it crosses the line from being merely distasteful to being wrong. To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate — unlike most films.

A favourite comment, inscribed on his memorial at Ealing, quoted in Nature Vol. XLVI (30 October 1902), p. 658
1890s