“Sex was an infringement, an attack, an invasion; there was no other way he could see it; every act, however magical and intensely enjoyed, and however willingly conducted, seemed to carry a harmonic of rapacity. He took her, and however much she gained in provoked pleasure and in his own increasing love, she was still the one that suffered the act, had it played out upon her and inside her. He was aware of the absurdity of trying too hard to develop the comparison between sex and war; he had been laughed out of several embarrassing situations trying to do so (“Zakalwe,” she would say when he tried to explain some of this, and she would put her cool slim fingers behind his neck and stare out from the rambunctious black tangle of her hair. “You have serious problems.””

She would smile), But the feelings, the acts, the structure of the two were to him so close, so self-evidently akin, that such a reaction only forced him deeper into his confusion.
Source: Culture series, Use of Weapons (1990), Chapter IX (pp. 144-145).

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Iain Banks 139
Scottish writer 1954–2013

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