“They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll or the desert intestine from Star wars.”
To see the snowman is to dislike the snowman. It doesn't look like a snowman, anyway.
Review http://www.rogerebert.com/reviews/jack-frost-1998 of Jack Frost (11 December 1998)
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Roger Ebert 264
American film critic, author, journalist, and TV presenter 1942–2013Related quotes
About working on the film Resident Evil: Extinction, in comparison to Resident Evil 2
Interview 2
Infinity Science Fiction (July 1957)
Short fiction, The Men Return (1957)
Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 10 (p. 85)
Source: Principles of industrial organization, 1913, p. 37
Carrie Lam (2018) cited in " Macau to form national security commission chaired by city’s leader as a ‘preventative measure’ https://www.hongkongfp.com/2018/08/28/macau-form-national-security-commission-chaired-citys-leader-preventative-measure/" on Hong Kong Free Press, 28 August 2018
“A special effect without a story is a pretty boring thing.”
Star Wars to Jedi: The Making of a Saga (1983) https://www.youtube.com/watch?v=ykmZp5cgbkU
Context: One of the fatal mistakes that almost every science-fiction film makes is that they spend so much time on the settings — you know, creating the environment — that they spend film time on it. And you don't have to spend too much film time to create an environment. What they're doing is showing off the amount of work that they generated, and it slows the pace of the film down. And the story is not the settings. The story is the stories, plot. You're always surprised with characters, I mean in film it's even more dramatic than it is in writing, because eventually you actually take a real person and stick them into that character. And that real person brings with him, or her, an enormous package of reality. I mean, Threepio is just a hunk of plastic, and without Tony Daniels in there it just isn't anything at all. In the first film we had maybe 20 colors to paint with, and this time we've had 40 colors to paint with. Well, that doesn't mean it's going to be a better painting. Special effects are just a tool, a means of telling a story. People have a tendency to confuse them as an end to themselves. A special effect without a story is a pretty boring thing.