“To recreate the temple atmosphere on the urban stage, and thus to facilitate a new kind of seeing that would enable the spiritual revival of the dance.”

— Rukmini Devi Arundale

On the revival of 'sadir' dance form (which till then was the forte of the devadasis) she said on the settings of the theater for her performances quoted in "Rukmini Devi Arundale, 1904-1986: A Visionary Architect of Indian Culture and the Performing Arts", page 12

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Rukmini Devi Arundale 13

Indian Bharatnatyam dancer 1904–1986

Peter Dicken (1938) British geographer

Source: Global Shift (2003) (Fourth Edition), Chapter 4, Technology: The Engine of change, p. 85

“The initial inspiration for me to take up dancing came from seeing performances of Gauri Ammal when I was very young. If this lady had not brought the dance to such a stage of development, the combination of music and dance that I have attempted to realize would not have been possible.”

Balasaraswati (1918–1984) Indian dancer

Quoted in "Balasaraswati: Her Art and Life", pp=25-26
Quote

“Gentrification is a process that hides the apparatus of domination from the dominant themselves. Spiritually, gentrification is the removal of the dynamic mix that defines urbanity—the familiar interaction of different kinds of people creating ideas together. Urbanity is what makes cities great, because the daily affirmation that people from other experiences are real makes innovative solutions and experiments possible. In this way, cities historically have provided acceptance, opportunity, and a place to create ideas contributing to freedom. Gentrification in the seventies, eighties, and nineties replaced urbanity with suburban values, … so that the suburban conditioning of racial and class stratification, homogeneity of consumption, mass-produced aesthetics, and familial privatization got resituated into big building, attached residences, and apartments. This undermines urbanity and recreates cities as centers of obedience instead of instigators of positive change.”

Sarah Schulman (1958) American writer

Source: The Gentrification of the Mind: Witness to a Lost Imagination (2012), p. 27

“There is, however, in art another kind of external similarity which is founded on a fundamental truth. When there is a similarity of inner tendency in the whole moral and spiritual atmosphere, a similarity of ideals, at first closely pursued but later lost to sight, a similarity in the inner feeling of any one period to that of another, the logical result will be a revival of the external forms which served to express those inner feelings in an earlier age.”

Wassily Kandinsky (1866–1944) Russian painter

I. Kandinsky's introduction
1910 - 1915, Concerning the Spiritual in Art, 1911

“A key factor in [the revival of Shiite Islam in Iran] was the Iranians’ refusal to accept the western reduction of religion to individual faith, which would have enabled an easier imposition of a global capitalist political economy.”

Richard A. Horsley (1939) Biblical scholar

Source: Religion and Empire: People, Power, and the Life of the Spirit (2003), p. 48

“Too cruel, lady, is the pain,
You bid me thus revive again.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book II, p. 39

“The new electronic interdependence recreates the world in the image of a global village.”

Marshall McLuhan book The Gutenberg Galaxy

The Gutenberg Galaxy (1962)
Context: The new electronic interdependence recreates the world in the image of a global village. (p. 36)

“Recreation is not the highest kind of enjoyment; but in its time and place it is quite as proper as prayer.”

Samuel I. Prime (1812–1885) American clergyman, traveler, and writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 12.

“My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.”

Arthur Symons (1865–1945) British poet

In The Stalls , st. 1.

“Dance was really the art of the temple and that her temple theater was built with that purpose in mind. It has many features of the temple, and we have adopted as much as possible all the ideals enshrined in Natyashastra.”

Rukmini Devi Arundale (1904–1986) Indian Bharatnatyam dancer

On her "Kootahmabalam temple theater" set up in her hundred acre Kalakshetra, quoted in "Rukmini Devi Arundale, 1904-1986: A Visionary Architect of Indian Culture and the Performing Arts", page 14

“To recreate the temple atmosphere on the urban stage, and thus to facilitate a new kind of seeing that would enable the spiritual revival of the dance.”

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Rukmini Devi Arundale 13

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