
Source: Quotes, 1971 - 2000, Bomb: X Motion Picture and Center for New Art Activities, 2000, p. 29.
Source: Mark Hudson. "Cornelia Parker Interview." in: Telegraph. June 24, 2010
Source: Quotes, 1971 - 2000, Bomb: X Motion Picture and Center for New Art Activities, 2000, p. 29.
(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."
“I can bend my own rules way, way over, but there is a place where I finally stop bending them.”
Travis McGee series, The Turquoise Lament (1973)
Context: Integrity is not a conditional word. It doesn't blow in the wind or change with the weather. It is your inner image of yourself, and if you look in there and see a man who won't cheat, then you know he never will. Integrity is not a search for the rewards of integrity. Maybe all you ever get for it is the largest kick in the ass the world can provide. It is not supposed to be a productive asset. Crime pays a lot better. I can bend my own rules way, way over, but there is a place where I finally stop bending them. I can recognize the feeling. I've been there a lot of times.
From now on, Lawton Hisp was not going to have a very nice life. They might never come after him, but it just wasn't going to be very joyous from now on.
Happy New Year, Mister Hisp.
Direct Art Magazine, "In Memoriam - Eugene James Martin", Fall-Winter 2006,Vol. 13, p. 86, http://www.saatchi-gallery.co.uk/yourgallery/artist/details.php?id=791 and http://afonline.artistsspace.org/view_artist.php?aid=3883
Source: "Liu Wen opens up about fame, responsibility and finding meaning in her career" in Vogue https://vogue.sg/liu-wen-cover-vogue-singapore-leslie-zhang/ (1 March 2021)
Partly cited in: Linda Weintraub, Arthur Coleman Danto, Thomas McEvilley. Art on the edge and over: searching for art's meaning in contemporary society, 1970s-1990s. Art Insights, Inc., 1996. p. 201; And cited in Kristine Stiles, Peter Howard Selz (1996). Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. p. 381
"From Full Phantom Five," 1988
Jeff Koons, San Francisco Museum of Modern Art, Walker Art Center (1992). Jeff Koons. p. 103
1990s and later
Psyche
Till We Have Faces: A Myth Retold (1956)
Context: The sweetest thing in all my life has been the longing — to reach the Mountain, to find the place where all the beauty came from — my country, the place where I ought to have been born. Do you think it all meant nothing, all the longing? The longing for home? For indeed it now feels not like going, but like going back.