“Roger: I also have been producing/recording more and more, and that takes time, too. But that's what i always wanted to do, work on music,, so it's not a bad thing.”

“Roger: It’s a little more freedom, sort of, but it’s more work, too, to keep up with all the little things. It’s kinda worth it, I guess; nobody really buys CDs so it really doesn’t matter.”

“Roger: Umm.. I couldn't tell you! I don't really know what the secret is. I've never been in any other situation. For us, we just really try to really deliver when we play and make that the focal point of what's going on. And then there's the live show. We try to be really good to our fans in the way of musically by having things up. Fans that have been fans of our records will always have something to relate and not have a record that is completely different ever, but also not doing the same thing over and over and over again. Trying to have a steady change on what kind of music we're writing and stuff like that. I think touring is the key to it. We've always been a touring based band. We play a lot, a lot of shows and that's what keeps us fresh in peoples' minds.”

“The point is there's a boring homogenisation of popular culture, so really the problem is there's nothing wrong, the machine works too smoothly. I think the pop music machine is much more fun when it's broken. Things are always more fun when they're broken. No one was ever consulted about this. There was never a Senate committee to say we must produce pop music every day since 1953 or whatever. It's time to lay down the gauntlet.”

“Roger: I think it's different in the way of how they handle stuff. I don't think they were really trying to. They wouldn't want us on it if they didn't like our music, you know what I'm saying? They obviously want us to create what we create and then they do what they're going to do. It's more things like interviews and more videos and photo shoots.. things like that with a major label kind of brings to the table. Which I may or may not be into - but it's a cool chance.”

“I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musician to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.”

“Compared to the first album, when I wasn't confident enough to make suggestions, this time around, I was very involved. I worked with the songwriters, telling them what was happening in my life, and what I wanted to sing about. If I thought it needed to be more heavy, more rock, I said so. I feel that this record is so much more me. I can't wait for people to hear it.”

“I was always into different kinds of music but just by default, I was singing and playing acoustic guitar; I didn’t know how to dance or anything. So it would take some time, over a year, for me to kind of progress into the stuff that I ended up doing later, the more Southern soul, country-rock, whatever-you-want-to-call-it kind of thing.”

“While I think men and women are equal, they are also different and I think it's inevitable and I don't think it's a bad thing at all that we always have, say, more women doing things like physiotherapy and an enormous number of women simply doing housework”

“Because I'm a person who always has to do something. If I cannot do anything, I'm in a very bad way. But really I'm always working on something. And I always want to work, too. Well, the few artists I know really well, they are all so... It's a really bad block when you think, right, now I've got to do art. It really is very important to learn that that is not the most important thing.”