“If you accept the ordinary laws of science, you have to suppose that human life and life in general on this planet will die out in due course: it is a stage in the decay of the solar system… You see in the moon the sort of thing to which the earth is tending – something dead, cold, and lifeless.
I am told that that sort of view is depressing, and people will sometimes tell you that if they believed that, they would not be able to go on living. Do not believe it; it is all nonsense. Nobody really worries much about what is going to happen millions of years hence. Even if they think they are worrying much about that, they are really deceiving themselves. They are worried about something much more mundane, or it may merely be a bad digestion; but nobody is really seriously rendered unhappy by the thought of something that is going to happen to this world millions and millions of years hence. Therefore, although it is of course a gloomy view to suppose that life will die out – at least I suppose we may say so, although sometimes when I contemplate the things that people do with their lives I think it is almost a consolation – it is not such as to render life miserable. It merely makes you turn your attention to other things.”

In response to the question, "How do you approach your roles?" from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2
Context: I always look at it as — it's like a treasure map, and each little detail in it, you sort of look at it for information and it points you in the right direction, to tell you where you need to go. You start out with a few choices, obviously — I need to learn the clarinet or I need to learn the cello, or I need to learn how to stay underwater without panicking — but it is like painting in a way, that at a certain point, the painting begins to tell you what to do. And with acting, it's the same — with acting in film, anyway — at a certain point then, what you've already put on screen begins to dictate to you where you need to go, and then it just starts to create itself in a way. And what I try to do is find a strand of myself, as different as I might feel the character is from me, and as removed as it is, I always try to find that one part of me. And then you kind of build on to that, because it's a way to keep you connected. And you never want to lose that connection. There's always some sort of parallel that's going on in my own life, and so you can use it to, you know, bring closure, perhaps, to certain things that you haven't. A healing, a reconnection. And I believe in that. I believe in that.

On what led him to check himself into rehab in 2002, quoted in ** What Would CHRIS CORNELL Tell Himself At 18? 'Don't Drink', Blabbermouth, 4 November 2011 http://www.blabbermouth.net/news/what-would-chris-cornell-tell-himself-at-18-don-t-drink/,
Soundgarden Era

Edie : Girl On Fire (2006)

Source: The Wise Man's Fear

Source: Gargantua and Pantagruel (1532–1564), Third Book (1546), Chapter 52 : How a certain kind of Pantagruelion is of that nature that the fire is not able to consume it
Context: I have already related to you great and admirable things; but, if you might be induced to adventure upon the hazard of believing some other divinity of this sacred Pantagruelion, I very willingly would tell it you. Believe it, if you will, or otherwise, believe it not, I care not which of them you do, they are both alike to me. It shall be sufficient for my purpose to have told you the truth, and the truth I will tell you.

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

San Francisco Chronicle http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/06/10/DD861808G2.DTL