“Nobody is going to Bolero for the plot anyway. They're going for the Good Parts. There are two Good Parts, not counting her naked ride on horseback, which was the only scene in the movie that had me wondering how she did it. The real future of Bolero is in home cassette rentals, where your fast forward and instant replay controls will supply the editing job the movie so desperately needs.”

—  Roger Ebert

Review http://www.rogerebert.com/reviews/bolero-1984 of Bolero (1 January 1984)
Reviews, Half-star reviews

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Roger Ebert 264
American film critic, author, journalist, and TV presenter 1942–2013

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“I think filmmakers are wrong about this. I think sharing's a good thing. … They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

On the posting of his film SiCKO on the Internet, prior to its official release, as quoted in "Michael Moore Takes on His Pirates!" by Edward Douglas (19 June 2007) http://www.comingsoon.net/news/movienews.php?id=21141
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Context: The film that's leaked onto the Internet is not taken at a movie theatre with a little home video camera, right? The way it's usually done? This is an inside job... Now, if you were a police detective, one of the first questions you'd ask is motive. Who has a vested interest in destroying the opening weekend's box office of this movie? If I were the police or the FBI investigating this felony that's taken place, that's where I would look.
Having said that, I'm glad that people were able to see my movie. … I'm not a big believer in our copyright laws. I think they're way too restrictive. … I've never supported this concept of going after Napster. I think the rock bands who fought this were wrong. I think filmmakers are wrong about this. I think sharing's a good thing. … They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't. People want to get out of the house and go to the movies! Nothing's ever going to kill that, and I really hope people will do that on opening weekend.

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“I'd hear, "Because they paid the man, there's no money for the woman." How many times do you think I heard this? Over and over. Then I became a sex symbol. Now, how the hell did that happen? I don't exactly know the moment when it happened, but all of a sudden I'm a bombshell. The way I discovered this was I did Desperado. I had a very hard time with the love scene. I cried throughout the love scene. That's why you never see long pieces of the love scene — it's little pieces cut together. I'm crying most of the time so they have to take little pieces. It took eight hours instead of an hour. I nearly got fired. … Because I didn't want to be naked in front of a camera. The whole time, I'm thinking of my father and my brother… And then when the movie comes out, I read the first review. What do they say about me. "Salma Hayek is a bombshell." I had heard that when a movie does badly here, they say it bombs. So I'm crying. Thinking they're saying, "That terrible actress! It's a bomb! Salma Hayek is the worst part of the movie!" I called my friend and said, "The critics are destroying me!" She says, "No, they're saying you're very sexy." And then I look at all the reviews, and everybody said I was very sexy. So I'm very confused. I said, "I wonder if that's good or bad." I hear, "Yes, that's good." Then I do Fools Rush In, and I'm a pregnant woman. And they say I'm sexy again! I go, "But I'm pregnant!"”

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I'm not even naked in this movie, and they still say I'm sexy. And then it became very depressing — I thought, I guess I'm reduced to that now. That's all I am in the perception of these people.
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