
Tracey Ullman: Live and Exposed (2005)
Quote c. 1840; as cited by by Charles Rob Leslie Vol. 1, (1860), p. 208; as quoted in The Life of J. M. W. Turner - Founded on Letters and Papers Furnished by His Friends and Fellow Academicians, Walter Thornbury; Cambridge University Press, 2013, p. 244
Turner's remark in the 1840's, when the new built Houses of Parliament in London were to be decorated with pictures
1821 - 1851
Tracey Ullman: Live and Exposed (2005)
On Indira Gandhi
Khushwant Singh in Sikh Philosophy Network
William Barnett, Adrien Presley, Mary Johnson, and Donald H. Liles (1994) "An architecture for the virtual enterprise." Systems, Man, and Cybernetics, 1994.' Humans, Information and Technology'., 1994 IEEE International Conference on. Vol. 1. IEEE, 1994
“A company cannot be a learning company without also being a teaching company.”
Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)
Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn
NANOG mailing list http://www.merit.edu/mail.archives/nanog/2000-06/msg00351.html (2000)
“This is to show the world that I can paint like Titian.”
In a letter to George Gamow, 1958, commenting on Werner Heisenberg's claim to a journalist that Pauli and Heisenberg have found a unified field theory, "but the technical details were missing"; as quoted in Hyperspace : A Scientific Odyssey through Parallel Universes, Time Warps, and the Tenth Dimension (1995) by Michio Kaku, p. 137
Context: This is to show the world that I can paint like Titian. [A big drawing of a rectangle] Only technical details are missing.
quote, 1925: in 'Kunstismen' ('Artisms', art magazine published by Lissitzky and Hans Arp, 1925); as quoted in: Richtingen in de Hedendaagsche schilderkunst (Trends in the Present Day Art of Painting), Jacob Bendien; W.L & J. Brusse N.V. Rotterdam, 1935 (transl: Anne Porcelijn), p. 99
1915 - 1925