“There have always been two aspects to my work: formal innovation and strong content. That goes for Steve’s tape pieces as well. To make a work together, we had to be engaged by the subject matter, and we shared an interest in technology as it has advanced. Looking back at the Hindenburg and Bikini Atoll, and forward in “Dolly” to new technologies, was a way of rethinking and understanding the soup in which we swim. We call this a theater of ideas, but its success as a work depends on the strength of the video and the music.
“Hindenburg” itself begins with the crash of the zeppelin in 1937 and ends with a view of its burnt-up carcass on the landing field in Lakehurst, New Jersey, taken from an airplane. What interested us here in viewing the archival material and listening to recordings of the period was the overwhelming conviction that technology was the sure way to progress. Naturally, after the atom bomb, a darker view of progress began to appear.”
Beryl Korot, in: " Steve Reich and Beryl Korot by Julia Wolfe http://bombmagazine.org/article/2521/steve-reich-and-beryl-korot," BOMB 81, Fall 2002
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