
Original: (it) Avere contatto con il pubblico, vedere i sorrisi... sentire le emozioni che trasmette attraverso il suo inconfondibile calore, per chi lavora nello spettacolo, significa amore.
Source: prevale.net
Source: Art Worlds (1982), p. 125.
Original: (it) Avere contatto con il pubblico, vedere i sorrisi... sentire le emozioni che trasmette attraverso il suo inconfondibile calore, per chi lavora nello spettacolo, significa amore.
Source: prevale.net
Aaron Copland and His World, ISBN 9780691124704.
“The person who writes for fools is always sure of a large audience.”
Source: Religion: A Dialogue and Other Essays
Life of Pitt (1891), reported in Bartlett's Familiar Quotations, 10th ed. (1919).
1984
Context: On live performance: "From the creative point of view, live music is always different to what appears on a record because everything is spontaneous and you’re influenced as a performer by your audience. The negative aspect of live work is that the audience expects to be entertained, and not only that, the record company and the promoters expect you to be successful. But to me, the theatre is a meeting place where something unpredictable happens, not necessarily successful, maybe pleasant, maybe not. That’s how I think a concert should be, but in reality things have to be planned down to the last detail, you have to rehearse with other musicians so the scope for improvisation is lessened, and these things prevent a concert from being a truly spontaneous affair. In a way, this reality makes me less keen to do concerts, but in essence I do like playing. I enjoy the risk".
"Host: Deep into the mercenary world of take-no-prisoners political talk radio." The Atlantic, April 2005.
Essays
“Yes, for most people nowadays television is their only contact with the world beyond their work.”
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)
2010s, 2016, July, (21 July 2016)
p. 203 https://books.google.com/books?id=WbpvDwAAQBAJ&pg=PA203
Critique of Economic Reason, 1988