“My words are nearly always an offense.
I don't know how to speak of anything
So as to please you. But I might be taught,
I should suppose. I can't say I see how.”

I Ain't Got Time To Bleed (1999)
Context: During my transition period, I brought in 13 people who were either first-time voters or who hadn't voted in five consecutive elections. I asked each of them a question: Now that you've come into the system, how do we keep you involved?
Their answers were very clear, very honest. They said, It's the same story every four years. Whenever an election's coming up, all the politicians come out and give you the same song and dance about the same issues, all the way up until they get elected. Then you don't hear any more from them until it's time for them to get elected again. We're tired of it. If you want to keep us involved, don't tell us what you think we want to hear, tell us the truth.
There's a great need in our government right now for honesty. I speak my mind. You might not always like what you hear, but you're gonna hear it anyway. I call it like I see it; I tell the truth. And if I don't know something, I'll say so. Then I'll try to find the answer.

We the People interview (1996)
Context: Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us. This relationship was called vision. Then, after Galileo, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."

http://www.usatoday.com/sports/boxing/2005-06-12-tyson-retire-talk_x.htm.
On his fans

The Historical Illuminatus as spoken by Sigismundo Celine
Source: Nature's God

Too Busy Not to Pray (2008, InterVarsity Press)

Ólafur talking to Vegmey
Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

The Guardian, London, While other boys in his class were reading Shoot! Nigel subscribed to Cordon Bleu magazine, Tim, Adams, 2003-09-14, 2010-05-20 http://observer.guardian.co.uk/foodmonthly/story/0,,1040953,00.html,

" Tower Of Song http://www.lyricsfreak.com/l/leonard+cohen/tower+of+song_20082815.html" - Tower of Song with U2, Video http://vimeo.com/13286028
I'm Your Man (1988)
Context: p>I see you standing on the other side.
I don't know how the river got so wide.
I loved you, baby, way back when.
And all the bridges are burning that
We might have crossed and I feel so close to everything that we've lost.
We'll never, we'll never have to lose it again.Now I bid You farewell, I don't when I'll be back.
They're moving us tomorrow to that tower down the track.
But you'll be hearing from me, baby, long after I'm gone.
I'll speaking to you sweetly
From a window in the Tower Of Song</p

The Tenth Revelation, Chapter 24