““A writer,” I said, when my social worker asked me what I planned to do when I got out of the hospital. “I’m going to be a writer.” “That’s a nice hobby, but how are you going to earn a living?” My social worker and I did not like each other. I didn’t like her because she didn’t understand that this was me, and I was going to be a writer; I was not going to type term bills or sell au gratin bowls or do any other stupid things.”

— Susanna Kaysen , book Girl, Interrupted

Girl, Interrupted (1994)

Adopted from Wikiquote. Last update Sept. 16, 2021. History

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Susanna Kaysen 65

American writer 1948

Susanna Kaysen book Girl, Interrupted

Girl, Interrupted (1994)
Context: And the college business: My parents wanted me to go, I didn’t want to go, and I didn’t go. I got what I wanted. Those who don’t go to college have to get jobs. I agreed with all this. I told myself all this over and over. I even got a job—my job breaking au gratin dishes. But the fact that I couldn’t hold my job was worrisome. I was probably crazy. I’d been skirting the idea of craziness for a year or two; now I was closing in on it.

“I didn’t come from a background that had any idea about what contemporary art was, it was not anti or pro, it had nothing to do with it. I do remember something my mother said when I was sixteen. I was going off to college, and I said, “I think I’m going to be an artist, not a professor of philosophy.” They all assumed I would be a professor because I’m good at logic, and she looked at me and she said, “Lawrence, you’ll break your heart.” And I said, “Why?””

Lawrence Weiner (1942) American artist

And she said, “Art is for rich people and women.”
Lawrence Weiner in: Thessaly La Force, " STUDIO VISIT Lawrence Weiner http://www.theparisreview.org/blog/2011/02/14/lawrence-weiner/," at theparisreview.org/blog, February 14, 2011.

“I had to be the head of the household really for the first time and say okay, I have to actually make a rule that we’re going to live by here. And I decided what it was is that the family comes over the work always. I mean, with the kids it’s a priority. Because I wanted them to have a feeling like they could count on me like I was really there, I wasn’t just visiting. I didn’t want one of these moments like, “Jeez, honey, I’m sorry I’m not going to see you this week or this month or whatever because I’m going to LA.” I got some offers early that go out to LA and do parts on sitcoms and I said no, because it meant going and being away for a month.”

Louis C.K. (1967) American comedian and actor

http://entertainment.time.com/2011/06/22/louis-ck-interview-part-1-fatherhood-and-fear/#ixzz2LfKg3gu2

“I did have an inkling that I was going to be a writer. That was my intention.”

Jane Jacobs (1916–2006) American–Canadian journalist, author on urbanism and activist (1916-2006)

Interview in Toronto Canada (6 September 2000), by Jim Kunstler, Metropolis Magazine (March 2001)

“I don’t know. You have to ask them. I’m not a hater, and so sometimes it’s hard for me to understand why somebody hates somebody. It could have been because of my policies, maybe they didn’t like my religion. I don’t know. I’m sure there’s a myriad of reasons. That’s what happens when you’re the president. It can either bother you or not bother you. I chose… I really am. I’m honored to have served. I’m glad I served, and I gave it my all, and that’s all you can do at life. I got back; and this sounds corny to some, I understand, but when I looked in the mirror, I know I didn’t sell my soul for the sake of any short-term politics or popularity. I think that’s important.”

George W. Bush (1946) 43rd President of the United States

Interview with Bill O'Reilly http://www.politifact.com/truth-o-meter/statements/2011/feb/08/bill-oreilly/bill-oreilly-tells-obama-he-also-asked-bush-about-/ (November 2010), Fox News.
2010s, 2010

“When the dead are done with the living, the living can go on to other things," Franny said. "What about the dead?" I asked. "Where do we go?”

Alice Sebold book The Lovely Bones

Source: The Lovely Bones

“I love coming in with a battle plan, but I also love the freedom to make things up with my actors, and my DP, too. Sometimes we’ll be in a scene and I see new things we can do, so I will throw whatever stuff that has been cooking away in my brain for a long time because I think what I'm coming up with on the set might serve the film better. You know, your instinct will tell you, “This is a better way, try this other way instead,” and that's very important for me, and that is my style of filmmaking, for better or for worse. That's how I like to approach it. And a lot of it comes to me when I'm designing the script, the screenplay. I'm generally very involved in the screenplay, even the ones I'm not on officially as a writer, I'm still extremely involved in how I craft the screen with the writers. I like to get in there and I really craft the world so I can have an idea of how all that will play out before I go on set. Then when I go on set, I like to keep it free, so that I can improvise with my actors.”

James Wan (1977) Malaysian-born Australian film director, screenwriter and producer

Interview: James Wan on His Creative Process, Returning to Horror with The Conjuring 2 and His Approach to Aquaman https://dailydead.com/interview-james-wan-creative-process-returning-horror-conjuring-2-approach-aquaman/ (June 9, 2016)

“I was talking to a woman last night. I said, “I’m not like other people.” She started to giggle. Then I raised my voice and said evenly, “That’s one blessing God gave writers — they’re not like other people!””

Taylor Caldwell (1900–1985) Novelist

1970s-, The Captains, the Kings, and Taylor Caldwell (1978)

“My wife is always trying to get rid of me. The other day she told me to put the garbage out. I said to her I already did. She told me to go and keep an eye on it. ”

Rodney Dangerfield (1921–2004) American actor and comedian

““Don’t talk to me like you understand my sins.”
“Don’t talk to me like you know what I do and do not understand.”
Alvin chuckled grimly. “Oh, that mouth you’ve got.”
“You can’t answer what I said, so you’re going to talk about my saying it.””

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 4 “La Tia” (p. 74).

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