“[His work is addressed]… not to the learned and experienced mathematicians who are already, or should be, better acquainted with them… [and most of whom] have studied mechanics more as a subject of curiosity and a hobby, than with any view of service to the public. The people we had in mind were rather the mechanic, handicraftsman and the like, who, without education or knowledge of foreign languages have no access to many sources of information…”
Jacob Leupold (1724-39) Theatrium machinarum, as quoted in: Biography of Jacob Leupold (1674–1727) http://history-computer.com/People/LeupoldBio.html on history-computer.com, 2013
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Jacob Leupold 3
German multidisciplinary scientist 1674–1727Related quotes

Source: "Presidential Address British Association for the Advancement of Science," 1890, p. 466 : On the expansion of the field of mathematics, and on the importance of a well-chosen notation

(1635) as quoted by W. W. Rouse Ball, A History of the Study of Mathematics at Cambridge https://books.google.com/books?id=Pl32YkKFIhsC (1889) pp. 41-42.

Source: Work, Wages, and Profits: Their Influence on the Cost of Living. 1910, p. 5.

Source: Psychology: What it has to Teach You about Yourself and Your World (1924), p. 83

Derrida Jacques, Elisabeth Weber (1995), Points...: Interviews, 1974-1994. p. 115

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 429.

Novalis (1829)
Context: When we speak of the aim and Art observable in Shakespeare's works, we must not forget that Art belongs to Nature; that it is, so to speak, self-viewing, self-imitating, self-fashioning Nature. The Art of a well-developed genius is far different from the Artfulness of the Understanding, of the merely reasoning mind. Shakspeare was no calculator, no learned thinker; he was a mighty, many-gifted soul, whose feelings and works, like products of Nature, bear the stamp of the same spirit; and in which the last and deepest of observers will still find new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man. They are emblematic, have many meanings, are simple and inexhaustible, like products of Nature; and nothing more unsuitable could be said of them than that they are works of Art, in that narrow mechanical acceptation of the word.