Source: The Soul of a Butterfly (2004), p. xix
Context: My soul has grown over the years, and some of my views have changed. As long as I am alive, I will continue to try to understand more because the work of the heart is never done. All through my life I have been tested. My will has been tested, my courage has been tested, my strength has been tested. Now my patience and endurance are being tested. Every step of the way I believe that God has been with me. And, more than ever, I know that he is with me now. I have learned to live my life one step, one breath, and one moment at a time, but it was a long road. I set out on a journey of love, seeking truth, peace and understanding. l am still learning.
“The subject matter is unimportant, provided what I have done is interesting as a painting. I chose the modern era because it is the one I understand best; I find it more alive for people who are alive.”
as quoted in: 'Frédéric Bazille and the Birth of Impressionism', Corrinne Chong, PhD -independent scholar http://www.19thc-artworldwide.org/autumn17/chong-reviews-frederic-bazille-and-the-birth-of-impressionism
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Frédéric Bazille 14
French painter 1841–1870Related quotes
Entry (1977)
Eric Hoffer and the Art of the Notebook (2005)
Context: I could never figure out — or probably did not take the trouble to figure out — what the great philosophical problems are about. The momentous statements I come across are at best a storm in a teacup. There are quite a number of people who have a vested interest in the stuff, make a noble living out of it, and they conspire with one another to keep it alive.
“I won't be alive so I won't care who finds me.”
Source: By the Time You Read This, I'll Be Dead
“I paint myself because I am so often alone and because I am the subject I know best.”
Quoted from: Antonio Rodríguez, "Una pintora extraordinaria," Así (17 March 1945)
1925 - 1945
Variant: I paint self-portraits because I am so often alone, because I am the person I know best.
Introduction of Doubts about Galen, as quoted in Bashar Saad, Omar Said, Greco-Arab and Islamic Herbal Medicine: Traditional System, Ethics, Safety, Efficacy, and Regulatory Issues, John Wiley & Sons, 2011. , page https://books.google.com/books?id=-WQVF8nhKf4C&pg=PT33
Context: I prayed to God to direct and lead me to the truth in writing this book. It grieves me to oppose and criticize the man Galen from whose sea of knowledge I have drawn much. Indeed, he is the Master and I am the disciple. Although this reverence and appreciation will and should not prevent me from doubting, as I did, what is erroneous in his theories. I imagine and feel deeply in my heart that Galen has chosen me to undertake this task, and if he were alive, he would have congratulated me on what I am doing. I say this because Galen's aim was to seek and find the truth and bring light out of darkness. I wish indeed he were alive to read what I have published.
“I have drowned
in the big sea
now I find I'm still alive”
"The Big Music"
This Is the Sea (1985)
Context: I have drowned
in the big sea
now I find I'm still alive
And I'm coming up forever
shadows all behind me
ecstacy to come
As quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York, 1990, p. 138
1940's, Art and Architecture (1944)
Source: The Life of a Painter - autobiography', 1946, p. 35; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 12