“Titian, Tintoretto, and Paul Veronese absolutely enchanted me, for they took away all sense of subject. … It was the poetry of color which I felt, procreative in its nature, giving birth to a thousand things which the eye cannot see, and distinct from their cause.”

— Washington Allston

Washington Allston, as quoted in The Quotable Artist (2002) by Peggy Hadden, p. 20

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Washington Allston 2

American artist 1779–1843

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“Thinking is seeing," said he one day, carried away by some objection raised as to the first principles of our organisation."Every human science is based on deduction, which is a slow process of seeing by which we work up from the effect to the cause; or, in a wider sense, all poetry like every work of art proceeds from a swift vision of things.”

Honoré de Balzac (1799–1850) French writer

Penser, c'est voir! me dit-il un jour emporté par une de nos objections sur le principe de notre organisation. Toute science humaine repose sur la déduction, qui est une vision lente par laquelle on descend de la cause à l'effet, par laquelle on remonte de l'effet à la cause; ou, dans une plus large expression, toute poésie comme toute oeuvre d'art procède d'une rapide vision des choses.
Honoré de Balzac, Louis Lambert http://fr.wikisource.org/wiki/Louis_Lambert (1832), translated by Clara Bell

“The quality of light by which we scrutinize our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives. It is within this light that we form those ideas by which we pursue our magic and make it realized. This is poetry as illumination, for it is through poetry that we give name to those ideas which are, until the poem, nameless and formless-about to be birthed, but already felt. That distillation of experience from which true poetry springs births thought as dream births concept, as feeling births idea, as knowledge births (precedes) understanding.”

Audre Lorde (1934–1992) writer and activist

"Poetry is Not a Luxury"
Sister Outsider: Essays and Speeches (1984)

“Nature, therefore, is subject with absolute precision to all the precepts of geometry as to all the properties of space there demonstrated, this being the subjective condition, not hypothetically but intuitively given, of every phenomenon in which nature can ever be revealed to the senses.”

Immanuel Kant (1724–1804) German philosopher

Kant's Inaugural Dissertation (1770), Section III On The Principles Of The Form Of The Sensible World

“In things of this kind it sees something which it calls a natural cause, but none of the causes it sees is the cause of that motion which preserves the solar system.”

Thomas Paine (1737–1809) English and American political activist

1790s, Discourse to the Theophilanthropists (1798)
Context: As to that which is called nature, it is no other than the laws by which motion and action of every kind, with respect to unintelligible matter, is regulated. And when we speak of looking through nature up to nature's God, we speak philosophically the same rational language as when we speak of looking through human laws up to the power that ordained them.
God is the power of first cause, nature is the law, and matter is the subject acted upon.
But infidelity by ascribing every phenomenon to properties of matter, conceives a system for which it cannot account, and yet it pretends to demonstration. It reasons from what it sees on the surface of the earth, but it does not carry itself on the solar system existing by motion. It sees upon the surface a perpetual decomposition and recomposition of matter. It sees that an oak produces an acorn, an acorn an oak, a bird an egg, an egg a bird, and so on. In things of this kind it sees something which it calls a natural cause, but none of the causes it sees is the cause of that motion which preserves the solar system.

“The first thing to change in my painting was the color [c. 1908-09]. I forsook natural color for pure color. I had come to feel that the colors of nature cannot be reproduced on canvas. Instinctively I felt that painting had to find a new way to express the beauty of nature.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian about 1905-1910; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 40

“Leaving home in a sense involves a kind of second birth in which we give birth to ourselves.”

Robert N. Bellah (1927–2013) American sociologist

Habits of the Heart, pt. 1, ch. 3 (1985)

“The aim of poetry—in this primal and primary sense as enchantment—is to awaken us to a fuller sense of our own humanity in both its social and individual aspects. Poetry offers a way of understanding and expressing existence that is fundamentally different from conceptual thought”

Dana Gioia (1950) American writer

22
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

“If we study Nature attentively in its great evolutions as in its minutest works, we cannot fail to recognize the possibility of enchantment — giving to that word its exact significance.”

Honoré de Balzac book Séraphîta

Source: Seraphita (1835), Ch. 2: Seraphita.
Context: If we study Nature attentively in its great evolutions as in its minutest works, we cannot fail to recognize the possibility of enchantment — giving to that word its exact significance. Man does not create forces; he employs the only force that exists and which includes all others, namely Motion, the breath incomprehensible of the sovereign Maker of the universe.

“Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself, but with its subject.”

John Keats (1795–1821) English Romantic poet

Letter to John Hamilton Reynolds (February 3, 1818)
Letters (1817–1820)

“Number is that property of a group of distinct things which remains unchanged during any change to which the 263 group may be subjected which does not destroy the distinctness of the individual things.”

Henry Burchard Fine (1858–1928) American academic

Source: The Number-System of Algebra, (1890), p. 3; Reported in Robert Edouard Moritz. Memorabilia mathematica; or, The philomath's quotation-book https://archive.org/stream/memorabiliamathe00moriiala#page/81/mode/2up, (1914), p. 263

“Titian, Tintoretto, and Paul Veronese absolutely enchanted me, for they took away all sense of subject. … It was the poetry of color which I felt, procreative in its nature, giving birth to a thousand things which the eye cannot see, and distinct from their cause.”

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Washington Allston 2

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