“Possibly I can explain my own procedure more easily. When I begin a sculpture I'm not always sure how it is going to end. In a way it has a relationship to the work before, it is in continuity with the previous work — it often holds a promise or a gesture toward the one to follow.”

— David Smith

1950s, Tradition and Identity' (1959)

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David Smith 24

American visual artist (1906-1965) 1906–1965

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

“These days a very melancholic mood has taken hold of me. There is nothing else but my work. My dear ones, I have been well and I have been working and my way of working is changing. For this reason I always feel extremely anxious. I am not content and perhaps I will not (ever) be satisfied with my work, not even for one day. I want to attain works which are more personal and clean.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1930 - 1941, from 'Arshile Gorky, – Goats on the roof' (2009), p. 125: Gorky's quote, in a letter to his sister Vartush Mooradian, 28 February 1938

“I'm not good at relationships
I always manage to find the flaws
sometimes in others
but mostly my own.
I foretell the ending
then go and create the cause
save myself
and end up alone”

David Levithan The Realm of Possibility

Source: The Realm of Possibility

“As long as there is a possibility of working I'm not going to retire because if I retire nothing will work any more, and it's hard enough as it is. I'm very conscious that I'm in the minority in that I love what I do. How big is the number of people who are running to work to do a job that they like? And how lucky to be employed at it – how incredibly lucky.”

Judi Dench (1934) English film, stage and television actress

Judi Dench unable to read scripts due to degenerative eye condition https://www.theguardian.com/culture/2012/feb/18/judi-dench-scripts-eye-condition (February 18, 2012)

“One of the mysteries is how the human mind can hear a piece of music, a symphony from the beginning to the end, before beginning; or see a sculpture finished all the way round, when it doesn't exist. Now these faculties are the sort faculties which are needed in sciences, math, and medicine and all kind of things. But if one has them, one has to learn to use them... You can't start with a block and say: 'Now it's going to dictate me.”

Barbara Hepworth (1903–1975) English sculptor

You [the artist] dictate to it.
Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), pp. 24-25

“I do not often follow its path from a previously conceived drawing. If I have a strong feeling about its start, I do not need to know its end; the battle for solution is the most important. If the end of the work seems too complete and final, posing no question, I am apt to work back from the end, that in its finality it poses a question and not a solution.
Sometimes when I start a sculpture I begin with only a realized part; the rest is travel to be unfolded, much in the order of a dream.”

David Smith (1906–1965) American visual artist (1906-1965)

1950s, Tradition and Identity' (1959)

“I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day.”

Ernest Hemingway book A Moveable Feast

Source: A Moveable Feast

“The work process begins when I start selecting quotations from a large collection I already have, given that I use such texts often in my work and have for a long time. In fact, appropriation of this kind––along with other kinds––has been part of my work since the beginning in the ’60s. I go through hundreds of these amassed quotes from my own research and that of my staff, make my choices, and then continually add them in relation to the quotes I already have selected. The surplus meaning that is constructed by using the words of others in conjunction with each other, which is my goal, is a far more delicate operation than it may seem.”

Joseph Kosuth (1945) American conceptual artist

Joseph Kosuth at artforum.com http://artforum.com/words/id=28992, 09.20.11

“Rudolpho, a thrice-divorced man in his forties, put it aptly: "Relationships with women always begin on a high. When the relationship begins I'm the hero, the rescuer, and superman, all wrapped up in one package. Naturally, it's hot and romantic and the woman adores me. As the relationship progresses and negative things happen, she reacts with hurt, disappointment, or silence. The message is clear: The problem is my fault, it's my creation."In my twenty years of experience with various women, I can barely recall a woman who acknowledged her contribution to a problem. The words, 'I'm sorry. I screwed up,' or, 'That's my problem and I want to work on changing the way I react,' are not what I hear."”

Herb Goldberg (1937–2019) American psychologist

"A Woman" Is an Abstraction, p. 51
What Men Still Don't Know About Women, Relationships, and Love (2007)

“As regards my paintings of similar compositions I cannot give you any indication [about possible 'variants' in his works] because I'm afraid I've never made a note of where my paintings have ended up... I am always at work and work is my sole passion. And unfortunately I've become aware that I must always start from the beginning, and ought to burn what I've done in the past.”

Giorgio Morandi (1890–1964) Italian painter

Quote in his letter of 2 Aug. 1954; as cited in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 42
1945 - 1964

“Possibly I can explain my own procedure more easily. When I begin a sculpture I'm not always sure how it is going to end. In a way it has a relationship to the work before, it is in continuity with the previous work — it often holds a promise or a gesture toward the one to follow.”

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