Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 500.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 29.
Source: The Note Book of Elbert Hubbard (1927), p. 170.
1870s, Society and Solitude (1870), Art
[Pictures Called Products Of Art., The Record, https://commons.wikimedia.org/wiki/File:Harvey_Dwight_Dash_(1924-2002)_in_The_Record_of_Hackensack,_New_Jersey_on_5_November_1959.png, November 5, 1959, Harvey Dwight Dash]
Quote
Demander à la poésie du sentimentalisme…ce n'est pas ça. Des mots rayonnants, des mots de lumière…avec un rythme et une musique, voilà ce que c'est, la poésie.
Remark, June 22, 1863, reported in the Journal des Goncourts (Paris: Bibliothèque-Charpentier, 1888) vol. 2, p. 123, (ellipses in the original); Arnold Hauser (trans. Stanley Godman and Arnold Hauser) The Social History of Art (London: Routledge & Kegan Paul, 1951) vol. 2, p. 684.
Referring to the lack of established culture and the established institution of slavery in the United States, in "Review of Seybert’s Annals of the United States", published in The Edinburgh Review (1820)
Context: In the four quarters of the globe, who reads an American book? Or goes to an American play? or looks at an American picture or statue? What does the world yet owe to American physicians or surgeons? What new substances have their chemists discovered? Or what old ones have they advanced? What new constellations have been discovered by the telescopes of Americans? Who drinks out of American glasses? Or eats from American plates? Or wears American coats or gowns? or sleeps in American blankets? Finally, under which of the old tyrannical governments of Europe is every sixth man a slave, whom his fellow-creatures may buy and sell and torture?
