“I now have an abundance of models. Every woman I address on the street understands me pretty well. I never experienced anything like that, otherwise they always called me names. It is horrible that I don't have anyone [in Amsterdam] like you, because the only good I have heard about my works came from you. So visit me often.”

— George Hendrik Breitner

translation from the original Dutch, Fons Heijnsbroek <br class="br">version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik heb tegenwoordig een zee van modellen. Iedere vrouw die ik op straat aanspreek, vat het nogal goed op. Ik heb nog nooit zoo iets bijgewoond, anders schelden ze me altijd uit ‘t is toch naar dat ik niemand heb, eigenlijk zooals jij, want het enige goed dat ik gehoord heb, over mijn werken is van jou geweest. Kom dus maar dikwijls over. <br class="br">quote of Breitner in a letter to his friend Herman van der Weele, Amsterdam, 14 June 1893, original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/54 <br class="br">1890 - 1900

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George Hendrik Breitner31

Dutch painter and photographer 1857–1923

Donald Miller book Blue Like Jazz: nonreligious thoughts on Christian spirituality

Blue Like Jazz (2003, Nelson Books)

“My friends call me by my name."
"You don't have any friends."
"I don't want you to be my friend, Selia, or my servant, not now. I thought you were both. You have let me know I was wrong. So are you to treat me so. You are wrong.”

Shannon Hale The Goose Girl

Source: The Goose Girl

“I didn't just start doing this today. Not like some people that have a movie coming out, so they go visit kids in the hospital. You don't need that phony crap. All of these celebrities, they turn my stomach with their funny stuff. I've been going in the ghettos without the press, without bodyguards, talking to kids. "Get to reading, stay in school. You don't have to carry a gun." I know about peer pressure and all that, but I say, "Hey, they called me a sissy because I wouldn't join a gang. Who was calling me a sissy? Does it make me a sissy because somebody called me a sissy?" […] I'm going to fight if you touch me or hurt me or do harm to my family. But if you call me a bad name, or whatnot, I'm too smart for that. That's the message the kids need to hear coming from me. I tell them, "If I fought every time somebody called me a name, I would never get out of jail. But I'm disciplined. I'm smarter than that." So I tell them, like my mother said, "Consider the source."”

Mr. T (1952) American actor and retired professional wrestler

When you see who called you the name, then you understand why they're doing it. Then you don't have to stoop that low.

“Weissenbruch to Vincent van Gogh:.. now that I have seen your work, I will take sides for you. They call me 'the sword without mercy', and I am - and I would not have said anything like that to Anton Mauve about you if I had not found any good in your sketches.”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch: Weissenbruch tegen Vincent van Gogh: ..nu ik je werk gezien heb zal ik partij voor je trekken. Zij noemen mij ‘het zwaard zonder genade’, en dat ben ik ook, en ik zou zoo iets niet tegen Mauve over je gezegd hebben, als ik geen goeds gevonden had in je studies.
Source: J. H. Weissenbruch', (n.d.), p. 44, note 1

“Frankly, this is my position: I have been painting for two years, and my only models have been your [ Monet's ] own works; I have been following the wonderful path you broke for us. I have always worked regularly and conscientiously, but without advice or help, for I do not know any impressionist painter who would be able to guide me, living as I am in an environment more or less hostile to what I am doing. And so I fear I may lose my way, and I beg you to let me see you, if only for a short visit. I should be happy to show you five or six studies; perhaps you would tell me what you think of them and give me the advice I need so badly, for the fact is that I have the most horrible doubts, having always worked by myself, without teacher, encouragement, or criticism.”

Paul Signac (1863–1935) French painter

In a letter to Claude Monet, 1880; quoted by Geffroy: Claude Monet, vol. I, p. 175; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 15 <br class="br">In 1880 an exhibition of the works of Claude Monet had - as Signac was to say later - 'decided his career,' - and after his first efforts as an impressionist Signac had ventured to appeal to Monet, writing him this sentence in his letter