“[W]e do live in a conceptual trough that encourages such yearning for unknown and romanticized greener pastures of other times. The future doesn't seem promising, if only because we can extrapolate some disquieting present trends into further deterioration: pollution, nationalism, environmental destruction, and aluminum bats. Therefore, we tend to take refuge in a rose-colored past […]. I do not doubt the salutary, even the essential, properties of this curiously adaptive human trait, but we must also record the down side. Legends of past golden ages become impediments when we try to negotiate our current dilemma.”

— Stephen Jay Gould , book Eight Little Piggies

"Shoemaker and Morning Star", pp. 206–207
Eight Little Piggies (1993)

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Stephen Jay Gould 274

American evolutionary biologist 1941–2002

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

transition [sic] was the avant-garde English-language magazine published in Paris 1927–1938; “A Note on Poetry”, p. 48
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“Nothing ever does happen in the future and nothing ever has happened in the past; the only happening is in the present moment. And yet people everywhere are so wrapped up in the past and future that the present moment tends to be overlooked. Yet this present moment is the only moment of reality; everything else is imagination. Now is the only time we can live. We can't live in the past, although some attempt it, and we can't live in the future. We live now or not at all.”

Martin Cecil, 7th Marquess of Exeter (1909–1988) Marquess of Exeter

On Eagle's Wings, 1977, p. 159
As of a Trumpet, On Eagle's Wings

“We always live at the time we live and not at some other time, and only by extracting at each present time the full meaning of each present experience are we prepared for doing the same thing in the future.”

John Dewey book Experience and Education

Source: Experience and Education

“We separate color and drawing because we have to. But nature doesn't. She doesn't give something a shape, for coloring it only afterwards. Form and color are inherent properties of the object that we have got as thing to paint. If we neglect one of both, we only give half.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Wij scheiden kleur en teekening af, omdat wij dat wel moeten. Maar de natuur doet dat niet. Zij geeft niet iets een vorm, om het daarna te kleuren. Vorm en kleur zijn inhaerente eigenschappen van het voorwerp, dat ons te schilderen is gegeven. Verwaarloozen wij een van beide, dan geven wij slechts de helft.
Quote of Roelofs, in Elsevier's geïllustreerd maandschrift..., Oct. / Nov. 1891; as cited in an excerpt in the RKD Archive https://rkd.nl/explore/excerpts/219, The Hague
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