
“Every speech, for Olivier, is like a mass of marble at which the sculptor chips away until its essential form and meaning are revealed. No matter how ignoble the character he plays, the result is always noble as a work of art.”
"Laurence Olivier" (1966), p. 208
Profiles (1990)
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Kenneth Tynan 40
English theatre critic and writer 1927–1980Related quotes


"Brave Words for a Startling Occasion" (1953), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 154.

Géza Révész (1950)., Psychology and art of the blind. Oxford, England: Longmans. Abstract.

Quoted by The Guardian http://books.guardian.co.uk/authors/author/0,5917,-164,00.html

15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

“Man cannot remake himself without suffering, for he is both the marble and the sculptor”
Source: Art & Other Serious Matters, (1985), p. 55, "Evidences of Surreality"

Introduction
The Wedge (1944)
Context: Each speech having its own character, the poetry it engenders will be peculiar to that speech also in its own intrinsic form. The effect is beauty, what in a single object resolves our complex feelings of propriety.