“And if a woman
She used a life line
As something more than
Some man's servant mother wife time
Well I wonder what would happen to this world.”

—  Harry Chapin

I Wonder What Would Happen to this World
Song lyrics, Living Room Suite (1978)
Variant: Oh, if a man tried
To take his time on earth
And prove before he died
What one man's life could be worth,
I wonder what would happen to this world.

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Harry Chapin 90
American musician 1942–1981

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“Now if a man tried
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I Wonder What Would Happen to this World
Song lyrics, Living Room Suite (1978)

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“Mary is the great mother. She is the mother. That's what Mary is. Whether she existed or not, is not the point. She exists at least as a hyper-reality. She exists as the mother. What's the sacrifice of the mother? That's easy: if you're a mother who's worth her salt, you offer your son to be destroyed by the world. That's what you do. And that's what's going to happen. He's going to be born, he's going to suffer, he's going to have his trouble in life, he's going to have his illnesses, he's going to face his failures and catastrophes, and he's going to die. That's what's going to happen, and if you're awake you know that, and then you say, 'well, perhaps he will live in a way that will justify that.' And then you try to have that happen. And that's what makes you worthy of a statue like [The Pieta]. 'Is it right to bring a baby into this terrible world?' Well, every woman asks herself that question. Some say no, and they have their reasons. Mary answers 'yes' voluntarily. Mary is the archetype of the woman who answers yes to life voluntarily. Not because she is blind. She knows what's going to happen. So, she's the archetypal representation of the woman who says yes to life knowing full well what life is. She's not naive. She's not someone who got pregnant in the backseat of a 1957 Chevy during one night of half-drunk idiocy. Not that. She does so consciously. Consciously, knowing what's to come. And then she allows it to happen, which is a testament to mothers.”

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“To me she was a woman but to herself she was still a child calling to her mother to hold her hand and help her. And her own mother, in the secret life we do not see, was a child too. I come from a line of children without end.”

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Context: He closed his eyes and tried to recover in his imagination the mudbrick walls and reed roof of her stories, the garden of prickly pear, the chickens scampering for the feed scattered by the little barefoot girl. And behind that child, in the doorway, her face obscured by shadow, he searched for a second woman, the woman from whom his mother had come into the world. When my mother was dying in the hospital, he thought, when she knew her end was coming, it was not me she looked to but someone who stood behind me: her mother or the ghost of her mother. To me she was a woman but to herself she was still a child calling to her mother to hold her hand and help her. And her own mother, in the secret life we do not see, was a child too. I come from a line of children without end.

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