Gretchen Rubin (1966) American writer
Source: The Happiness Project: Or Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun
In "Paris (1897-1904)", also in Words of The Mother Sri Aurobindo Ashram, (1987) http://books.google.co.in/books?id=ljoqAAAAYAAJ, p. 163 <br class="br">Sayings
Gretchen Rubin (1966) American writer
Source: The Happiness Project: Or Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun
Stefan Zweig book Twenty-Four Hours in the Life of a Woman
Twenty-Four Hours in the Life of a Woman (1927)
“My feelings, gratitude, for instance, are denied me simply because of my social position.”
Fyodor Dostoyevsky (1821–1881) Russian author
The Devil (Ivan's Nightmare)
The Brothers Karamazov (1879–1880)
Stefan Zweig book Twenty-Four Hours in the Life of a Woman
Twenty-Four Hours in the Life of a Woman (1927)
Warren Farrell (1943) author, spokesperson, expert witness, political candidate
Source: Interview by Jonathan Robinson (1994), p. 47.
Man Ray (1890–1976) American artist and photographer
As quoted in Man Ray : The Rigour of Imagination (1977) by Arturo Schwarz, p. 10 <!-- also in Man Ray : Photographs and Objects (1980) by Birmingham Museum of Art -->
Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.
As quoted in an interview "Man Ray: Photographer" published in Camera (1981) edited by Philippe Sers <!-- and in The Columbia Dictionary of Quotations (1993) edited by Robert Andrews, p. 686 -->
Context: l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.
Louis Kronenberger (1904–1980) American critic and writer
http://books.google.com/books?id=cI1KAAAAMAAJ&q=%22There+are+of+course+good+happy+endings+as+well+as+bad+ones+but+surely+they+are+of+a+kind+that+in+some+way+expresses+happiness+rather+than+glibly+promises+it%22&pg=PA74#v=onepage
The Cart and the Horse (1964)