
“Nobody can be bad at everything. There’s no such thing as a perfect screwup.”
Source: Mean Streets
Volume II, chapter VI, section 24 http://books.google.com/books?id=AwICAAAAYAAJ&q=%22Of+human+work+none+but+what+is+bad+can+be+perfect+in+its+own+bad+way%22&pg=PA189#v=onepage.
The Stones of Venice (1853)
“Nobody can be bad at everything. There’s no such thing as a perfect screwup.”
Source: Mean Streets
Source: The Freedom of a Christian (1520), pp. 74-75
on contraception
TV appearances
“There was a badness that had its way. But love wasn't lost. Love will have its day.”
"North and South of the River"
Lyrics, Staring at the Sun (1997 EP)
“To want your own way is a very bad habit, for you will never get it.”
Country Town Sayings (1911), p32.
Sometimes it doesn’t fit with the cast or the energy of the scene or the beat of another character. But to sit down in the audience and go: “Oh my God, I think that was what I intended”, was great.
"Benedict Cumberbatch: ‘I loved not being a people-pleaser’" in The Guardian https://www.theguardian.com/film/2021/dec/17/benedict-cumberbatch-i-loved-not-being-a-people-pleaser (17 December 2021)
Section 1.9 <!-- p. 28 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Context: My husband is my most ruthless critic. … Sometimes he will say, "It's been said better before." Of course. It's all been said better before. If I thought I had to say it better than anyone else, I'd never start. Better or worse is immaterial. The thing is that it has to be said; by me; ontologically. We each have to say it, to say it in our own way. Not of our own will, but as it comes through us. Good or bad, great or little: that isn't what human creation is about. It is that we have to try; to put it down in pigment, or words, or musical notations, or we die.
1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.