George Long quote: “I could have made the language [in the translation of Meditations] more easy and flowing, but I have preferred a ruder …”

“On translating text into the new language as it is in source language, there is a chance of it being emerged as an absurd sentence in the target language making no sense at all. In the attempt to make the translation meaningful to the target language, there exists a risk of the original work getting meddled by the translator’s style.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

“Chance of source language influencing the target language and that of the translator intervening onto the style of original writer are major challenges in literary translation.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

“Literary translation may be considered as rivalry between two languages (or even between two cultures) which vie to express the original idea better. It should be faithful to the original at least, and beautiful at best. A literary translator should exploit the advantage of the target language, that is to say, make the fullest possible use of the best expressions of the target language in order to make the reader understand, enjoy and delight in the translated text.”

Xu Yuanchong (1921) Translator of Chinese poetry

"New Translation Theories of the New Age" http://en.cnki.com.cn/Article_en/CJFDTOTAL-ZGFY200003000.htm, Chinese Translators Journal, 2000, issue 3, p. 2

“When I started to make translations I was just doing it intuitively, and my tendency was to stick to the original as much as possible. Then I gained more confidence in my own poetry and my own writing and I began to become less concerned about being strictly faithful to the original and more concerned with producing a good poem in English. What I have often found—especially in the translations that are done by scholars—is that they’re very faithful to the content of the original language, but in English they don’t really sound that good as poems.”

Francisco Aragón (1968) poet

On translating Spanish poetry into English in “Interview with Francisco Aragón: Latino Poetry From All Its Perspectives” https://www.sampsoniaway.org/literary-voices/2010/09/16/interview-with-francisco-aragon-latino-poetry-from-all-its-perspectives/ in Sampsonia Way (2010 Sept 16)

“The translator translates a book for the ones who are not familiar with its language of origin. If someone can read it in the language of origin, he will not need to read its translation. So, when you translate, you first suppose that you translate it for someone who does not know its language and could not explore that world and that thought.”

Media Kashigar (1956–2017) Iranian translator, writer and poet

Source: The best critic of a translation is its second translation, Center for the Great Islamic Encyclopedia, 2013 https://www.cgie.org.ir/fa/news/3001

“He was uncomplicated and upbeat and easy. At one point, I might have thought these traits made him a simpleton, but now I think they just translate to happiness.”

Emily Giffin (1972) American writer

Source: Baby Proof

“Nowadays I make ugly things, but I think they are nevertheless better than before, more made out-of-me myself, just simple cows with air and greenishness. (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Ik maak tegenwoordig leelijke dingen, maar ik vind ze toch beter dan vroeger, meer uit me zelven, eenvoudig koeien met lucht en groenigheid.
In a letter of Mauve to Willem Maris, 21 Jan. 1869; as cited by H.L. Berckenhoff, in Anton Mauve, Etsen van Ph. Zilcken, met fascimiles naar schilderijen, teekeningen en studies, Amsterdam 1890, ( microfiche RKD-Archive https://rkd.nl/explore/excerpts/111 Den Haag: Berckenhoff, 1890, p. 20)
1860's