“Sometimes an imitation of love can be pretty damn convincing.”
Source: Blue-Eyed Devil
Source: Meditations in Wall Street (1940), p. 96
“Sometimes an imitation of love can be pretty damn convincing.”
Source: Blue-Eyed Devil
"Imitation and Gender Insubordination" in Inside/Out (1991) edited by Diana Fuss
“There is no nature which is inferior to art, the arts imitate the nature of things.”
XI, 10
Meditations (c. 121–180 AD), Book XI
Cassandra (1860)
Context: The great reformers of the world turn into the great misanthropists, if circumstances or organisation do not permit them to act. Christ, if He had been a woman, might have been nothing but a great complainer. Peace be with the misanthropists! They have made a step in progress; the next will make them great philanthropists; they are divided but by a line.
The next Christ will perhaps be a female Christ. But do we see one woman who looks like a female Christ? or even like "the messenger before" her "face", to go before her and prepare the hearts and minds for her?
To this will be answered that half the inmates of Bedlam begin in this way, by fancying that they are "the Christ."
People talk about imitating Christ, and imitate Him in the little trifling formal things, such as washing the feet, saying His prayer, and so on; but if anyone attempts the real imitation of Him, there are no bounds to the outcry with which the presumption of that person is condemned.
“An original writer is not one who imitates nobody, but one whom nobody can imitate.”
Source: The Genius of Christianity or the Spirit and Beauty of the Christian Religion
“The greatest honor which can be paid to God is to know and imitate him.”
Sentences of Sextus
Carlo Carrà's art statement on Futurism in 1913, as quoted in Abstract Art Anna Moszynska, Thames and Hudson 1990, p. 26
1910's
L’écrivain original n’est pas celui qui n’imite personne, mais celui que personne ne peut imiter.
The Oxford Dictionary of Quotations (1979) 3rd edition
Variant translations:
The original style is not the style which never borrows of any one, but that which no other person is capable of reproducing.
As translated by Charles I. White (1856) Part 2, Book 1, Chapter 3
An original writer is not one who imitates nobody, but one whom nobody can imitate.
Bartlett's Familiar Quotations (1980) 15th edition.
Le génie du Christianisme (1802)