“But, good God, what is this when compared with that deep and true music of the wise, whereby the proportions of natural things are investigated, the harmonical concord and the qualities of the whole world are revealed, by which also connected things are bound together, peace established between conflicting elements, and whereby each star is perpetually suspended in its appointed place by its weight and strength, and by the harmony of its lucent spirit”

—  Robert Fludd

Robert Fludd, cited in: Waite (1887, p. 291)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "But, good God, what is this when compared with that deep and true music of the wise, whereby the proportions of natural…" by Robert Fludd?
Robert Fludd photo
Robert Fludd 6
British mathematician and astrologer 1574–1637

Related quotes

Cassiodorus photo

“For what is more glorious than music, which modulates the heavenly system with its sonorous sweetness, and binds together with its virtue the concord of nature which is scattered everywhere?”
Quid enim illa praestantius, quae caeli machinam sonora dulcedine modulatur et naturae convenientiam ubique dispersam virtutis suae gratia comprehendit?

Bk. 2, no. 40; p. 38.
Variae

Anthony de Mello photo

“There is something whereby each broken thing is bound again and every stain made clean.”

Anthony de Mello (1931–1987) Indian writer

Source: One Minute Nonsense (1992), p. 169
Context: "My life is like shattered glass." said the visitor. "My soul is tainted with evil. Is there any hope for me?
"Yes," said the Master. "There is something whereby each broken thing is bound again and every stain made clean."
"What?"
"Forgiveness"
"Whom do I forgive?"
"Everyone: Life, God, your neighbor — especially yourself."
"How is that done?"
"By understanding that no one is to blame," said the Master. "NO ONE."

Robert Grosseteste photo
Robert Fludd photo

“Which of us has, at this day, the ability to discover those true and vivific numbers whereby the elements are united and bound to one another?”

Robert Fludd (1574–1637) British mathematician and astrologer

Robert Fludd, cited in: Waite (1887, p. 291); On arithmetic

Paul Klee photo
James Bradley photo

“If we suppose the distance of the fixed stars from the sun to be so great that the diameter of the earth's orbit viewed from them would not subtend a sensible angle, or which amounts to the same, that their annual parallax is quite insensible; it will then follow that a line drawn from the earth in any part of its orbit to a fixed star, will always, as to sense, make the same angle with the plane of the ecliptic, and the place of the star, as seen from the earth, would be the same as seen from the sun placed in the focus of the ellipsis described by the earth in its annual revolution, which place may therefore be called its true or real place.
But if we further suppose that the velocity of the earth in its orbit bears any sensible proportion to the velocity with which light is propagated, it will thence follow that the fixed stars (though removed too far off to be subject to a parallax on account of distance) will nevertheless be liable to an aberration, or a kind of parallax, on account of the relative velocity between light and the earth in its annual motion.
For if we conceive, as before, the true place of any star to be that in which it would appear viewed from the sun, the visible place to a spectator moving along with the earth, will be always different from its true, the star perpetually appearing out of its true place more or less, according as the velocity of the earth in its orbit is greater or less; so that when the earth is in its perihelion, the star will appear farthest distant from its true place, and nearest to it when the earth is in its aphelion; and the apparent distance in the former case will be to that in the latter in the reciprocal proportion of the distances of the earth in its perihelion and its aphelion. When the earth is in any other part of its orbit, its velocity being always in the reciprocal proportion of the perpendicular let fall from the sun to the tangent of the ellipse at that point where the earth is, or in the direct proportion of the perpendicular let fall upon the same tangent from the other focus, it thence follows that the apparent distance of a star from its true place, will be always as the perpendicular let fall from the upper focus upon the tangent of the ellipse. And hence it will be found likewise, that (supposing a plane passing through the star parallel to the earth's orbit) the locus or visible place of the star on that plane will always be in the circumference of a circle, its true place being in that diameter of it which is parallel to the shorter axis of the earth's orbit, in a point that divides that diameter into two parts, bearing the same proportion to each other, as the greatest and least distances of the earth from the sun.”

James Bradley (1693–1762) English astronomer; Astronomer Royal

Miscellaneous Works and Correspondence (1832), Demonstration of the Rules relating to the Apparent Motion of the Fixed Stars upon account of the Motion of Light.

Anicius Manlius Severinus Boethius photo

“Thou seest, then, in what foulness unrighteous deeds are sunk, with what splendour righteousness shines. Whereby it is manifest that goodness never lacks its reward, nor crime its punishment.”
Videsne igitur quanto in caeno probra volvantur, qua probitas luce resplendeat? In quo perspicuum est numquam bonis praemia, numquam sua sceleribus deesse supplicia.

Anicius Manlius Severinus Boethius (480) philosopher of the early 6th century

Prose III, line 1; translation by H. R. James
The Consolation of Philosophy · De Consolatione Philosophiae, Book IV

“Each thing in its way, when true to its own character, is equally beautiful.”

"Cliffrose and Bayonets", p. 37
Source: Desert Solitaire (1968)

Ezra Pound photo

“Both in Greece and in Provence the poetry attained its highest rhythmic and metrical brilliance at times when the arts of verse and music were most closely knit together, when each thing done by the poet had some definite musical urge or necessity bound up within it.”

Ezra Pound (1885–1972) American Imagist poet and critic

"The Tradition", in Poetry, ed. by Harriet Monroe, III, 3 (Dec. 1913), p. 137; reprinted in Literary Essays of Ezra Pound (1968), p. 91.

Pierre Teilhard De Chardin photo

“Peace cannot mean anything but a HIGHER PROCESS OF CONQUEST. … The world is bound to belong to its most active elements.”

Pierre Teilhard De Chardin (1881–1955) French philosopher and Jesuit priest

Letter from Peking (Summer 1940), quoted in The Last European War : September 1939/December 1941 (1976) by John Lukacs, p. 515
Context: Personally, I stick to my idea that we are watching the birth, more than the death, of a World. The scandal for you, is that England and France should have come to this tragedy because they have sincerely tried the road of peace. But did they not precisely make a mistake on the true meaning of "peace"? Peace cannot mean anything but a HIGHER PROCESS OF CONQUEST. … The world is bound to belong to its most active elements. … Just now, the Germans deserve to win because, however bad or mixed is their spirit, they have more spirit than the rest of the world. It is easy to criticize and despise the fifth column. But no spiritual aims or energy will ever succeed, or even deserve to succeed, unless it is able to spread and keep spreading a fifth column.

Related topics