“I think it was when I got to the butterflies -- in that brief, beautiful image comprising life, death and technology -- that the hair on the back of my neck began to stand on end. All at once, the pleasure I took in reading was altered irrevocably. Before then I had never noticed, somehow, that stories were made not of ideas or exciting twists of plot but of language. And not merely of pretty words and neat turns of phrase, but of systems of imagery, strategies of metaphor.”

— Michael Chabon

Close Encounters http://www.washingtonpost.com/ac2/wp-dyn/A62470-2002Apr4, Washington Post (April 7, 2002)
On reading Rocket Man by Ray Bradbury

Adopted from Wikiquote. Last update June 3, 2021. History

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Michael Chabon 96

Novelist, short story writer, essayist 1963

Phil Vischer (1966) American puppeter

Source: Me, Myself, & Bob (2006), p. 9-10

“Strike a Bedu and he will kill you either then or later. It is easy for strangers to give offence without meaning to do so. I once put my hand on the back of bin Kabina’s neck and he turned on me and asked furiously if I took him for a slave. I had no idea that I had done anything wrong.”

Wilfred Thesiger book Arabian Sands

Source: Arabian Sands (1959), p. 148.

“These pieces have been and will, I think, during my life, continue to be to me the sources of daily and exalted pleasures. The tender and the sublime emotions of the mind were never before so wrought up by the human hand. I am not ashamed to own that I think this rude bard of the North the greatest poet that has ever existed. Merely for the pleasure of reading his works, I am become desirous of learning the language in which he sung, and of possessing his songs in their original form.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Thomas Jefferson, letter to Charles McPherson, February 25, 1773, cited from H. A. Washington (ed.) The Writings of Thomas Jefferson (Washington, D.C.: Taylor & Maury, 1853) vol. 1, pp. 195-6.
Criticism

“I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.”

Carlos Ruiz Zafón book The Shadow of the Wind

Source: The Shadow of the Wind

“Not to know the end of the tale filled me with a sense of emptiness, loss. I hungered for the sharp, frightening, breathtaking, almost painful excitement that the story had given me, and I vowed that as soon as I was old enough I would buy all the novels there were and read them to feed that thirst for violence that was in me, for intrigue, for plotting, for secrecy, for bloody murders.”

Richard Wright book Black Boy

Black Boy (1945)

“I am no mere chance pile of flesh and bone: if I were only that, I should fall into corruption and dust before your eyes. I am the embodiment of a thought of God: I am the Word made flesh: that is what holds me together standing before you in the image of God.”

George Bernard Shaw (1856–1950) Irish playwright

Jesus, as portrayed in Preface, Difference Between Reader And Spectator
1930s, On the Rocks (1933)
Context: I am no mere chance pile of flesh and bone: if I were only that, I should fall into corruption and dust before your eyes. I am the embodiment of a thought of God: I am the Word made flesh: that is what holds me together standing before you in the image of God. … The Word is God. And God is within you. … In so far as you know the truth you have it from my God, who is your heavenly father and mine. He has many names and his nature is manifold. … It is by children who are wiser than their fathers, subjects who are wiser than their emperors, beggars and vagrants who are wiser than their priests, that men rise from being beasts of prey to believing in me and being saved. … By their fruits ye shall know them. Beware how you kill a thought that is new to you. For that thought may be the foundation of the kingdom of God on earth.

““And at last the darkness of the night descended and softly-kissed the surface of the watery grave and the only sound was the lonely rustle of the ancient trees,” I wrote as I penned the final line. I was excited; I read it over and saw that there was a yawning void in it. There was no plot, no action, nothing save atmosphere and longing and death. But I had never in my life done anything like it; I had made something, no matter how bad it was; and it was mine…Now, to whom could I show it?”

Richard Wright book Black Boy

Black Boy (1945)

“Comics were the source of my entertainment and interest. But they’re the kind of standard Japanese stuff that Japanese kids enjoy. When I got to university, there was a layer of culture shock that hit me. I began to learn about modern and abstract art. Until that time my drawings were more realistic in style. Then I was opened up to abstract images. I was encountering things I’ve never paid attention to or recognized before. I liked that, behind those abstract images, there was always an idea. That set me thinking about art in terms of ideas, rather than depictions. What could I make that had a clear idea behind it, looked unique, and yet wasn’t alienating? All of that led me to the aesthetic of my games.”

Fumito Ueda (1970) Japanese video game designer

Fumito Ueda: Colossus in the Shadow https://medium.com/@SimonParkin/fumito-ueda-colossus-in-the-shadow-80e200a727dd (December 13, 2016)

“Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.”

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978) http://web.archive.org/web/20070701010155/zelazny.corrupt.net/19780408int.html#2
Context: Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.
I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central.
But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

“I like to be surprised. Fresh implications and plot twists erupt as a story unfolds.”

David Brin (1950) novelist, short story writer

Orbit interview (2002)
Context: I like to be surprised. Fresh implications and plot twists erupt as a story unfolds. Characters develop backgrounds, adding depth and feeling. Writing feels like exploring.

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