“It is the incongruous thing in my entire life, this isolation.... My work requires it – but I myself have no need or use for it – Perhaps once on a time I found isolation imperative – I think all chrysalises do – all embryos go for the underside of the leaf in the time of body-change preparing for the final reassertion –resurrection – the establishment of the entity. But now I’ve come up tot the outside of my casements.”
Quote from Marsden Hartley Revisited or, Were We Really Ever There, Peter Plagens; Artforum 7, May 1969, p. 41
1931 - 1943
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Marsden Hartley 33
American artist 1877–1943Related quotes
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Entry (1981)
Eric Hoffer and the Art of the Notebook (2005)
Context: In all my life I never competed for fortune, for a woman, or for fame. I learned to write in total isolation. My first work was also my best, and the first thing published. I never belonged to a circle or clique. I did not know I was writing a book until it was written. When my first book was published there was no one near me, an acquaintance let alone a friend, to congratulate me. I have never savored triumph, never won a race.
On when he discovered his love for art in “Oral history interview with Gronk, 1997 Jan. 20-23” https://www.aaa.si.edu/collections/interviews/oral-history-interview-gronk-13586#transcript (Smithsonian Archives of American Art)

On separating herself from her stage persona in “In Conversation: Liz Phair” https://www.vulture.com/2019/09/liz-phair-horror-stories-in-conversation.html in Vulture (Sept 2019)

On the issue of her publicity in "Korea's Kafka? Man Booker winner Han Kang on why she turns a woman into a plant" in Deutsche Welle (September 12, 2016) https://www.dw.com/en/koreas-kafka-man-booker-winner-han-kang-on-why-she-turns-a-woman-into-a-plant/a-19543017