
Quoted by Edith Wharton, A Backward Glance (1934), ch. 10.
Wynford Dewhurst, 'What is Impressionism?' in Contemporary Review. vol. XCIX, 1911, p. 300.
Quoted by Edith Wharton, A Backward Glance (1934), ch. 10.
A Language Older Than Words (2000)
Source: Billy Budd, the Sailor (1891), Ch. 21
Source: Billy Budd, Sailor
Context: Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity. In pronounced cases there is no question about them. But in some supposed cases, in various degrees supposedly less pronounced, to draw the exact line of demarcation few will undertake tho' for a fee some professional experts will. There is nothing nameable but that some men will undertake to do it for pay.
Of the Origin and Progress of Language (Edinburgh and London: J. Balfour and T. Cadell, 2nd ed., 1774), Vol. I, Book II, Ch. II, pp. 224-225 https://archive.org/stream/originandprogre01conggoog#page/n251/mode/2up.
design as well as draw!
George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.
Quote (1908), # 831, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910