“All the Way; All or Nothing at All. This is the Sicilian in Sinatra; he permits his friends, if they wish to remain that, none of the easy Anglo-Saxon outs. But if they remain loyal, then there is nothing Sinatra will not do in turn — fabulous gifts, personal kindnesses, encouragement when they're down, adulation when they're up. They are wise to remember, however, one thing. He is Sinatra. The boss. Il Padrone.”

— Gay Talese

"Frank Sinatra Has a Cold" (Esquire, April 1966)

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Gay Talese 20

American writer 1932

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“When Sinatra sits to dine, his trusted friends are close; and no matter where he is, no matter how elegant the place may be, there is something of the neighborhood showing because Sinatra, no matter how far he has come, is still something of the boy from the neighborhood — only now he can take his neighborhood with him.”

Gay Talese (1932) American writer

"Frank Sinatra Has a Cold" (Esquire, April 1966)

“Frank Sinatra stopped his car. The light was red. Pedestrians passed quickly across his windshield but, as usual, one did not. It was a girl in her twenties. She remained at the curb staring at him. Through the corner of his left eye he could see her, and he knew, because it happens almost every day, that she was thinking, It looks like him, but is it? Just before the light turned green, Sinatra turned toward her, looked directly into her eyes waiting for the reaction he knew would come. It came and he smiled. She smiled and he was gone.”

Gay Talese (1932) American writer

"Frank Sinatra Has a Cold" (Esquire, April 1966)

“The whole thing had lasted only about three minutes. And three minutes after it was over, Frank Sinatra had probably forgotten about it for the rest of his life — as Ellison will probably remember it for the rest of his life: he had had, as hundreds of others before him, at an unexpected moment between darkness and dawn, a scene with Sinatra.”

Gay Talese (1932) American writer

"Frank Sinatra Has a Cold" (Esquire, April 1966)

“When I was very young I was Judy. On good days I was Dorothy, on bad days I was the Wicked Witch. The interesting thing about it, too, is that I’ve always related to it mainly because I don’t relate much to Frank Sinatra. I appreciate Frank, but there are so many Frank Sinatra imitators, whether it’s Harry Connick Jr. or Michael Bublé—the kind of guys who [Snaps his fingers in quick succession] basically want to get laid. And there’s nobody being the flip side of that, which is the hungry, lonely, desperate, crazy-person singer [Laughs]. So I wanted to pick up that mantle and try to be a little less cool.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

About Rufus Does Judy at Carnegie Hall concert, Time Out New York Issue 551, April 20–26, 2006

“Suicide bombers are easy to spot. They give out all kinds of telltale signs. Mostly because they're nervous. By definition they're all first-timers.”

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Source: Gone Tomorrow (2009), Ch. 1.

“The wise man thinks about his troubles only when there is some purpose in doing so; at other times he thinks about other things, or, if it is night, about nothing at all.”

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Source: The Conquest of Happiness

“Frank Sinatra was dignified. We don't have a Frank Sinatra, or a Patti Page nowadays. What do we have? Ashlee Simpson instead of Patti Page! I mean, look at those people - like Paris Hilton! Who are all these skanks, man? Little girls are looking up to these girls, and it's so gross. Those girls have no dignity at all, and parents are letting their kids dress up like those skanks. But what else have they got? What are the other choices? Somebody had the nerve to ask me if I wanted to play guitar on Lindsay Lohan's album! She's another one of those 16-year-old actresses, and she's making an album! Like, 'NO!”

Jack White (1975) American musician and record producer

Ha ha ha!
On why dignity and celebrity don't go hand in hand
Perry, Andrew (2004). "The White Stripes uncut" http://observer.guardian.co.uk/omm/story/0,13887,1349947,00.html Observer Music Monthly (accessed June 19, 2007).
2007

“Don't believe that jazz about there's nothing you can do, "turn on and drop out, man" — because you've got to turn on and drop in, or they're going to drop all over you.”

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Source: The Beatles Anthology (2000), p. 263

“Losing hope is easy
When your only friend is gone
And every time you look around
Well, it all, it all just seems to change
But hanging on is easy
When you've got a friend to call
When nothings making sense at all
You're not the only one that's afraid of change”

Jack Johnson (musician) (1975) American musician

Losing Hope
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“But Caesar, headlong in all his designs,
thought nothing done while anything remained to do.”
Sed Caesar in omnia praeceps,<br/>nil actum credens, cum quid superesset agendum.

Marcus Annaeus Lucanus book Pharsalia

Sed Caesar in omnia praeceps,
nil actum credens, cum quid superesset agendum.
Book II, line 656 (tr. J. D. Duff).
Pharsalia

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