“The first work I published was a poem. That was one of my most exciting moments. Afterwards, I wrote many different types of articles, including prose, novels, and even science fiction. However, I found I wasn't very qualified, because I only had a four-year primary school education. So I turned to writing fairy tales.”

— Zheng Yuanjie

Zheng Yuanjie (2008) in: "China's Hans Christian Andersen" on CRIENGLISH.com, June 19, 2008 ( online http://english.cri.cn/4406/2008/06/19/1141@370720.htm).

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The first work I published was a poem. That was one of my most exciting moments. Afterwards, I wrote many different typ…" by Zheng Yuanjie?

Zheng Yuanjie 3

Chiese writer 1955

Related quotes

“I wrote my first novel because I wanted to read it.”

Toni Morrison (1931–2019) American writer

“When I was in hospital I found I could hardly read or writ. In these circumstances I began to write poems. I found that poetry was the only kind of writing in which I could express my thoughts. One night I dreamed I was lying on the bank of a canal, under machine gun fire. The next morning I wrote it out, Carentan O Caretan, and as I wrote I realized it was not a dream, but the memory of my first time under fire”

Louis Simpson (1923–2012) Jamaican poet

The Poetry of War 1939-45 ed. Ian Hamilton, London 1965
Carentan O Carentan, 1948

“When I first joined my local library, I read endlessly. I immediately headed for the fantasy section, fairy tales, you name it. As a teen-ager, I read every novel by Kenneth Roberts, who wrote historical novels about the Revolutionary War period. My mother used to read to me. Heidi was one of my childhood favorites.”

Richard Matheson (1926–2013) American fiction writer

The New York Times interview (1994)

“I went back to work and wrote a poem for this person. While I was writing it I was realizing that if I wanted to I could use the telephone instead of writing the poem, and so Personism was born. It's a very exciting movement which will undoubtedly have lots of adherents. It puts the poem squarely between the poet and the person, Lucky Pierre style, and the poem is correspondingly gratified. The poem is at last between two persons instead of two pages.”

Frank O'Hara (1926–1966) American poet, art critic and writer

Personism: A Manifesto, from The Collected Poems of Frank O'Hara (1972).

“This true difference in me now: I had these experiances, these tales, more of this life. So maybe it wasn't the fairy tale. But those stories weren't real anyway. Mine were.”

Sarah Dessen book Along for the Ride

Source: Along for the Ride

“I wrote my first story when I was fifteen, and sent it—to Adventure, I believe. Three years later I managed to break into Weird Tales. Three years of writing without selling a blasted line.”

Robert E. Howard (1906–1936) American author

I never have been able to sell to Adventure; guess my first attempt cooked me with them for ever!
From a letter to H. P. Lovecraft (c. July 1933)
Letters

“I did, not only because of that, but also because there was no value placed on education in my family. My mother just assumed I was smart, and I had glasses so I was called “four eyes,” and I was always reading a book, and so the outsider feeling came from the fact that I really loved school…”

Robert O'Hara American playwright and theatre director

Source: On feeling like an outsider both at his school and in his home life in “Artist Interview with Robert O'Hara” https://www.playwrightshorizons.org/shows/trailers/artist-interview-robert-ohara/ in Playwrights Horizon

“When I was teenager, I wanted to be medical doctor. I would write "Dr" into my name - "Dr Sukanto". After I got married, my wife found out and asked me, "Why did you put a 'Dr' before your name?" I said this was my dream but I couldn't continue my education because the school closed and I was not qualified to go to any school.”

Sukanto Tanoto (1949) Indonesian businessman

Keynote speech, Wharton Global Modular Course, May 25, 2015. http://www.inside-rge.com/Sukanto-Tanoto-Entrepreneur-Journey-1
2015

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

“The skills I had learned for prose didn’t work in film. Those telling details, they’re completely different. Or the fact of these inner monologues in which you can write a whole book. Whereas prose is teasing out, film is stripping down, concentrating and compacting. I found I could not learn the one while doing the other. So it was a big struggle, actually. It took me years.”

Tsitsi Dangarembga (1959) Zimbabwean author and filmmaker

On adjusting to film writing in “An Interview with Tsitsi Dangarembga: An excerpt” https://brickmag.com/an-interview-with-tsitsi-dangarembga/ in Brick Magazine (December 2012)

Help us to complete the source, original and additional information

Zheng Yuanjie 3

Related quotes

Related topics