1919
as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 440
1908 - 1920, On Mystery and Creation, Paris 1913
“The paradox in the evolution of French painting from Courbet to Cézanne is how it was brought to the verge of abstraction in and by its very effort to transcribe visual appearance with ever greater fidelity.”
"On the Role of Nature in Modernist Painting" (1949), p. 171
1960s, Art and Culture: Critical Essays, (1961)
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Clement Greenberg 17
American writer and artist 1909–1994Related quotes
critical quote on Cubism
In a short text of Matisse, 1918, written for the catalogue of 'Den Franske Utstilling', 1918, Copenhagen; as quoted in Matisse on Art, Jack Flam, University of California Press 1995 p. 272, note 2
1910 - 1920
1950s
Source: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990; p. 145
Source: Theory of Economic Dynamics (1965), Chapter 4, Profits and Investments, p. 55
As quoted in Cezanne his Life and Art, Jack Linssey, – Evelyn, Adams and Mackay, London, 1969, p. 154-55
Pissarro 'guided' the wild Cézanne for a few years in painting landscape; for a decade or so in the mid-19th century they often worked side by side and influenced each other
1870's
"Notes on Abstract Art" in Herbert Read's Ben Nicholson: Paintings, Reliefs, Drawings (London, 1948)
first published in 'Metro', 1962; as cited in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 80
1960s, Interview with David Sylvester', (1960)
Source: Conceptual Art, (1984), as cited in: " Ian Wilson, plug in #47; exhibition 27/09/2008 - 08/03/2009 http://vanabbemuseum.nl/en/programme/detail/?tx_vabdisplay_pi1%5Bptype%5D=18&tx_vabdisplay_pi1%5Bproject%5D=349 at Van Abbemuseum.nl, The Netherlands.