“Language is the most formless means of expression. Its capacity to describe concepts without physical or visual references carries us into an advanced state of abstraction.”

—  Ian Wilson (conceptual artist)

Source: Conceptual Art, (1984), as cited in: " Ian Wilson, plug in #47; exhibition 27/09/2008 - 08/03/2009 http://vanabbemuseum.nl/en/programme/detail/?tx_vabdisplay_pi1%5Bptype%5D=18&tx_vabdisplay_pi1%5Bproject%5D=349 at Van Abbemuseum.nl, The Netherlands.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Language is the most formless means of expression. Its capacity to describe concepts without physical or visual referen…" by Ian Wilson (conceptual artist)?
Ian Wilson (conceptual artist) photo
Ian Wilson (conceptual artist)1
American artist, born 1940 1940–2020

Related quotes

John William Dunne photo

“Now, when we say of any occurrence that it is 'physical', we mean thereby that it is potentially describable in physical terms. (Otherwise the expression would be wholly meaningless.) So it is perfectly correct, to state that, in every happening with which our sensory nerves are associated, we find, after we have abstracted therefrom every known or imaginable physical component, certain categorically nonphysical residue.”

John William Dunne book An Experiment with Time

Source: An Experiment with Time (1927), p. 5

Didier Sornette photo

“The concept of a random walk is simple but rich for its many applications, not only in finance but also in physics and the description of natural phenomena. It is arguably one of the most founding concepts in modern physics as well as in finance, as it underlies the theories of elementary particles, which are the building blocks of our universe, as well as those describing the complex organization of matter around us.”

Didier Sornette (1957) French scientist

Source: Why Stock Markets Crash - Critical Events in Complex Systems (2003), Chapter 2, Fundamentals Of Financial Markets, p. 38.

R. G. Collingwood photo

“Language in its original imaginative form maybe said to have expressiveness, but no meaning. About such language we cannot distinguish between what the speaker says and what he means… Language in its intellectualized form has both expressiveness and meaning. As language, it expressed a certain emotion. As symbolism, it refers beyond that emotion to the thought whose emotional charge it is… The progressive intellectualization of language, its progressive conversion by the work of grammar and logic into a scientific symbolism, thus represents not a progressive drying-up of emotion, but its progressive articulation and specialization. We are not getting away from an emotional atmosphere into a dry, rational atmosphere; we are acquiring new emotions and new means of expressing them.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: The Principles of Art (1938), p. 269

Michel Henry photo

“Painting does not use language. Abstract painting teaches us this, and this is what gives it its power of expression. If colour does not relate to the feelings of our soul through an external relation but finds its true being in them – as a pure sensation and a pure experience – then it does not even need to translate, through a means, the abstract content of our invisible life. It coincides with our invisible life and is its pathos: its suffering, its boredom, its neglect or its joy.”

Michel Henry (1922–2002) French writer

Books on Culture and Barbarism, Seeing the Invisible: On Kandinsky (1988)
Source: Michel Henry, Seeing the invisible: On Kandinsky, Continuum, 2009, p. 72

Jeanette Winterson photo

“Language always betrays us, tells the truth when we want to lie, and dissolves into formlessness when we would most like to be precise.”

Jeanette Winterson book Sexing the Cherry

Source: Sexing the Cherry

“It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 61
Search for the Real and Other Essays (1948)

Theo van Doesburg photo

“In addition, 'Elementarism' is real instead of abstract. The use of the term 'abstract' also caused much misunderstanding. This is easily explained... As used in connection with visual methods of expression, the term 'abstract' is extremely relative. 'To abstract' something implies one of those mental activities (in contrast to emotional spontaneity) through which certain [aesthetic] values are isolated from the world of reality. However, when such values were realized visually and applied as purely constructive means, they became real. Thus the abstract was transformed into the real, thereby illustrating the relativity of the former term. Hence, the term ‘abstract-real’ [proposed by his former artist-fellow Piet Mondrian, ] was a fortunate invention, although in reference to a new orientation [van Doesburg's new art orientation 'Elementarism'] the term 'real' is sufficient. The period of abstraction is at an end. Is not an elementary painting, which is to say a certain composition of plane-linear colours, organic in itself, more concrete…”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article 'Elementarism as real art', in: 'Painting and plastic art' - Rome, July 1926, in De Stijl', series XIII, 1 75-6, 1926, pp. 35–43
1926 – 1931

Karl Jaspers photo

“When language is used without true significance, it loses its purpose as a means of communication and becomes an end in itself.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

Man in the Modern Age (1933)

“Information theory, introducing the concept of information as a quantity measurable by an expression isomorphic to negative entropy in physics, and developing the principles of its transmission.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

General System Theory (1968), 4. Advances in General Systems Theory

Daniel Levitin photo

“Both poetry and lyrics and all visual arts draw their power from their ability to express abstractions of reality. …that is a feature of the musical brain.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)
Context: Both poetry and lyrics and all visual arts draw their power from their ability to express abstractions of reality.... that is a feature of the musical brain.

Related topics