Source: The Confidence-Man: His Masquerade (1857), Ch. 45
Context: I cannot tell you how thankful I am for your reminding me about the apocrypha here. For the moment, its being such escaped me. Fact is, when all is bound up together, it's sometimes confusing. The uncanonical part should be bound distinct. And, now that I think of it, how well did those learned doctors who rejected for us this whole book of Sirach. I never read anything so calculated to destroy man's confidence in man. This son of Sirach even says — I saw it but just now: 'Take heed of thy friends'; not, observe, thy seeming friends, thy hypocritical friends, thy false friends, but thy friends, thy real friends — that is to say, not the truest friend in the world is to be implicitly trusted. Can Rochefoucault equal that? I should not wonder if his view of human nature, like Machiavelli's, was taken from this Son of Sirach. And to call it wisdom — the Wisdom of the Son of Sirach! Wisdom, indeed! What an ugly thing wisdom must be! Give me the folly that dimples the cheek, say I, rather than the wisdom that curdles the blood. But no, no; it ain't wisdom; it's apocrypha, as you say, sir. For how can that be trustworthy that teaches distrust?
“Anjali: Oh, wow. I am tripping out that I actually get to work here! Being constantly surrounded by books! Bringing ideas, poems, and manifestoes to the world! How can you stand it?!
Jezanna: That reminds me, Lois. The lube shipment just came in.”
#252, "The Trouble with Sidney" (1996), collected in Hot, Throbbing DTWOF (1997).
Dykes to Watch Out For
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Alison Bechdel 58
American cartoonist, author 1960Related quotes
As quoted in Writers on Writing (1986) by Jon Winokur.
Variant: If you ask me what I came into this life to do, I will tell you: I came to live out loud.
Quote in a conversation between Lama Sogyal Rinpoché and Joseph Beuys, 1982; republished in: Joseph Beuys, Carin Kuoni. Joseph Beuys in America: Energy Plan for the Western Man. New York, 1993. p. 197
1980's
Quote in Monet's letter from Etretat to his second [future] wife Alice Hoschedé, 1883; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 51
1870 - 1890
Voice: Young Man
1840s, Repetition (1843)
Context: One sticks one’s finger into the soil to tell by the smell in what land one is: I stick my finger in existence — it smells of nothing. Where am I? Who am I? How came I here? What is this thing called the world? What does this world mean? Who is it that has lured me into the world? Why was I not consulted, why not made acquainted with its manners and customs instead of throwing me into the ranks, as if I had been bought by a kidnapper, a dealer in souls? How did I obtain an interest in this big enterprise they call reality? Why should I have an interest in it? Is it not a voluntary concern? And if I am to be compelled to take part in it, where is the director? I should like to make a remark to him. Is there no director? Whither shall I turn with my complaint?
Canyon, Texas, (September, 1916), p. 187
1910s, Letters to Anita Pollitzer' (1916)